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A doublet is a man's snug-fitting buttoned jacket that was worn in Western Europe from the Middle Ages through to the mid-17th century. The term also refers to a formal jacket worn with highland dress, a variation of which is called an Argyll jacket or Prince Charlie jacket (or coatee).
Originally it was a mere stitched and quilted lining ("doubling"), worn under a hauberk or cuirass to prevent bruising and chafing. Then, like many other originally practical items in the history of men's wear, from the late 15th century onward it became elaborated enough to be seen on its own. A similar jacket, the sherwani, is worn today in India.
In the early 1580s, Sir Philip Sidney, when governor of Flushing in the Low Countries, chose to be portrayed in his doublet, but still in a gorget, as if he were caught in the act of setting aside his armour to institute a civil government. (See portrait at Sir Philip Sidney.)
The doublet developed from the padded garments worn under armour, such as the gambeson, aketon, arming doublet[1].
Doublets of the 14th and 15th centuries were generally hip-length, sometimes, shorter, worn over the shirt and hose, with a houppelande or other form of overgown.
From the late 14th century, doublets were cut and padded to give the wearer an egg-shaped or pigeon-breasted silhouette, a fashion that gradually died out in favor of a flatter natural fit.
Through the Tudor period, fashionable doublets remained close-fitting with tight sleeves, but acquired long skirts and elaborate surface decoration such as pinks (patterns of small cuts in the fabric), slashes, embroidery, and applied braid.
In the early Elizabethan period, doublets were padded over the belly with bombast in a "pouter pigeon" or "peascod" silhouette. Sleeve attachments at the shoulder were disguised by decorative wings, tabs, or piccadills, and short skirt-like peplums or piccadills covered the waist of the hose or breeches. Padding gradually fell out of fashion again, and the doublet became close-fitting with a deep V-waistline.
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By the 17th century, doublets were short-waisted. A typical sleeve of this period was full and slashed to show the shirt beneath; a later style was full and paned or slashed to just below the elbow and snug below. Decorative ribbon points were pulled through eyelets on the breeches and the waist of the doublet to keep the breeches in place, and were tied in elaborate bows.
The doublet fell permanently out of fashion in the mid-17th century when Louis XIV of France and Charles II of England established a court costume for men consisting of a long coat, a waistcoat, a cravat, a wig, and breeches—the ancestor of the modern suit.
Doublet is also a term describing a type of jacket worn with formal highland dress. This garment is similar to a mess jacket, with buttoned gauntlet cuffs, short or no skirts, and with or without lapels. It may have a row of silver heraldic buttons on each side. It may be worn with a lace jabot and cuff set, and a high-buttoned waistcoat. It is typically made of velvet or wool, with satin lapels, and may feature epaulettes. The highland doublet is jacobean in style and may date to that period or earlier.
The Regulation kilt doublet is a typically black double-breasted jacket with satin peaked lapels, buttoned gauntlet cuffs, and epaulettes, similar to the Prince Charlie coatee, which it pre-dates. Unlike the coatee, which is cut like a mess jacket, the doublet has braided "tashes" (otherwise known as Inverness skirts/flaps) at the front and back. The Regulation doublet was at one time the regulation uniform jacket of the Highland regiments, and is worn with a three-button waistcoat which may be made from the same cloth as the jacket.
The Balmoral Kilt Doublet is a double-breasted jacket traditionally made from velvet. It is usually worn with a belt and black bow tie. It may be worn for both black tie and white tie events.
The Kenmore kilt doublet is a single-breasted jacket, worn buttoned up (no lapels) and without a waistcoat. It is traditionally made from velvet and is always worn with a belt, lace jabot and cuffs. It may be worn on all formal occasions. It is named after the town of Kenmore which lies at the east of Loch Tay.
The Sheriffmuir kilt doublet is a double-breasted jacket with gauntlet cuffs and a stand collar with no lapels. It is typically worn open with a waistcoat, lace jabot and cuffs. Sheriffmuir lies between Dunblane and Stirling overlooking the Allan Water. In 1715 a battle was fought here between the Jacobites under the Earl of Mar and the Government forces under the Duke of Argyll.
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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.
Patchwork Merchant Mercenaries.
Vendertainers that brought many things to a show and are know for helping out where ever they can.
As well as being a place where the older hand made items could be found made by them and enjoyed by all.
We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.
Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.
Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.
Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"
A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?
After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...
Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.
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