The very name Druid is composed of two Celtic word roots which have parallels in Sanskrit. Indeed, the root vid for knowledge, which also emerges in the Sanskrit word Veda, demonstrates the similarity. The Celtic root dru which means 'immersion' also appears in Sanskrit. So a Druid was one 'immersed in knowledge.'
Peter Beresford-Ellis

Many followers of Druidry today feel a great affinity with one or more of the religions of India, and research shows that this feeling may be based upon more than simply a sense of spiritual or philosophical resonance. There is now considerable evidence to suggest that Celtic and European cultures share a common origin with cultures which emerged in India thousands of years ago, and which gave birth to the ‘Dharmic religions’ of Hinduism, Jainism and Buddhism.
Spiritual seekers who find their inspiration in both Druidism and the Dharmic religions may well be reuniting strands of a common cultural and spiritual heritage.
The Order of Bards Ovates & Druids has initiated a research programme to explore these connections in detail, and we hope to add more material to this section of the website as this programme develops. We held the first 'One Tree Gathering' at the Balaji Temple in Birmingham, England in 2010, jointly with the International Center for Cultural Studies, to explore and celebrate these connections. The second 'One Tree Gathering' occurred in Worcestershire in 2013 You can see photos of both events in the gallery below.

Here in a brief interview in Nagpur, India, in 2009, Philip Carr-Gomm gives a summary of the possible connections:

The Theory of Common Origins

There are at least five theories currently mooted that attempt to explain the extraordinary connections and resemblances that can be found between European and Indian languages and culture. The most widely held theory, based on linguistic, archaeological and genetic evidence is the Kurgan hypothesis, which suggests that the Indo-European peoples migrated west to Europe and south-east to India from the Pontic-Caspian steppe, which comprises the vast steppelands stretching from north of the Black Sea as far as the east of the Caspian Sea, from central Ukraine across the Southern and Volga Federal Districts of Russia to western Kazakhstan. Some linguists and archeologists, however, favour the Anatolian hypothesis, which suggests the Indo-Europeans originated in Asia Minor (now Turkey) and there are other, less favoured theories that suggest Armenia or India (the Harappan Theory) were the source-lands, or that the similarities can be explained by looking further back, to our common origins in Africa. Wikipedia is a good starting point to explore these theories.

Buddha & Boudicca – Linguistic Parallells

The Indo-European or Proto-Indo-European theories of origin were developed as the result of the discovery of the similarities between certain languages. As an example, there are many similarities between Old Irish and Sanskrit:
Old Irish - aire (freeman),Sanskrit - arya (noble)
Old Irish - noeb (good), Sanskrit - naib (holy)
Old Irish - bodar (deaf), Sanskrit - badhirah (deaf)
Old Irish - nemed (sacred/privileged), Sanskrit - names (respect)
Old Irish - ri (king), Sanskrit - raja (king)

Peter Beresford-Ellis in his essay ‘Early Irish Astrology: An Historical Argument’ highlights a fascinating parallel:
‘Boudi and the stem budh appear in all the Celtic languages. It means - all victorious, gift of teaching, accomplished, exulted, virtue and so forth. In Breton today, for example, boud means 'to be'. You will see the stem in the name Bouddica, more commonly referred to in English as Boadicea, the Celtic warrior queen of the Iceni who led an uprising against Roman rule in 60 AD The important thing is that the word occurs in Sanskrit and Buddha is the past participle of the stem budh, to know or enlightened. This is the title given to Sakyamuni Gautama - the Enlightened One. What is important is that in the Vedas the planet Mercury is also known as budh.' [Beresford-Ellis in the same article notes: The idea that these 'signposts' might lead to the fact that ancient Celtic astrology and Vedic astrology also had a common link, another surviving parallel, was thrown into sharp relief by a small gloss on a 9th Century Irish manuscript at Wurzburg. The word budh was glossed by 'point of fire' and 'planet Mercury'.]

Travellers' Tales

Common motifs are found in folk-tales all over the world. Themes and details from Celtic stories can be found in India. Where did they originally come from? See 'In Search of the Folktale' by Doug Lipman.

The Twenty-Seven Star-Wives of King Aillil

'Celtic cosmology is a parallel to Vedic cosmology. Ancient Celtic astrologers used a similar system based on twenty-seven lunar mansions, called nakshatras in Vedic Sanskrit. Like the Hindu Soma, King Ailill of Connacht, Ireland, had a circular palace constructed with twenty-seven windows through which he could gaze on his twenty-seven "star wives."
There survives the famous first century bce Celtic calendar (the Coligny Calendar) which, as soon as it was first discovered in 1897, was seen to have parallels to Vedic calendrical computations.' Early Irish Astrology: An Historical Argument  by Peter Berresford Ellis

The Horned God - Cernunnos, Shiva or Pashupati?

For a long time the Gundestrop Cauldron has been hailed as one of the most beautiful examples of Celtic art, made in Thrace but found in Denmark. It is now considered possible that the image of the horned god is that of Pasupati, a Shiva prototype, found in the early Indus Valley civilization. Certainly a seal from the ancient city of Mohenjodaro in the Indus Valley looks remarkably like the scene depicted on the cauldron. Compare the cauldron image below with that of the Pasupati figure from Mohenjodaro, 2300-1750 BC.

Further Resources

Zen Druidry - Waking to the Natural World by Joanna Van Der Hoeven, Moon Books, 2013. The perfect introduction to ways in which the ways of Druidry and Buddhism can be combined.

The Salmon in the Spring: The Ecology of Celtic Spirituality by Jason Kirkey, Hiraeth Press, 2009. An outstanding book that draws on insights from Buddhism to illuminate Druidry and Celtic Spirituality.

Indo-European Paleopaganism and Its Clergy by Isaac Bonewits

Meet the Brahmins of ancient Europe, the high caste of Celtic society by Peter Berresford Ellis

Early Irish Astrology: An Historical Argument by Peter Berresford Ellis

A comparison between Vedic and Celtic traditions  by Torc, P.A.C. Bloos

To learn how Michael Tippett's opera 'the Midsummer Marriage' draws on Celtic and Indian sources of inspiration when exploring the union of Masculine and Feminine Principles, see the Seventh Mount Haemus lecture by Philip Carr-Gomm

Two Seasons, Three Worlds, Four Treasures, Five Directions: the Pil... by Ellen Evert Hopman

Looking at Buddhism and Druidism in an interview with Frank MacEowen

Tree-Yoga: a Workbook by Satya Singh and Fred Hageneder - A workbook that shows you the essence of yoga, and offers a meeting-place of Indian and Celtic wisdom. Link to Amazon.co.uk. To Amazon.com

The Celtic Buddhist Society: "The lineage of Celtic Buddhism was suggested in the 1970's during casual conversation between the reknowned Tibetan lama Chogyam Trungpa Rinpoche and his student John Perks. The actual development is the result of the mixing of their minds. The lineage was formally incorporated as a non-profit in 1989, when it took on an official status. After meeting for years in rented rooms Venerable Seonaidh Perks established the Anadaire Celtic Buddhist Center on 11 acres in Saxtons River, Vermont, where the sangha erected a stone circle which has aided in increasing and focusing energies of transformation.
Sangha members are encouraged to establish a daily meditation practice. Practices range from a host of traditional Tibetan Buddhist practices to the more contemporary practices of the Celtic Fire visualization and working with the mandala of the Celtic cross. Also, we encourage integrating everyday practices in art, music, healing modalities- including animals, and in the business world. As a group some of our members have gone on yearly retreats to Maine or, to further connect with the latent Celtic energies, Ireland and Scotland. One member has delved into thangka painting to explore the emerging Celtic Buddhist mandala. And in March 2010, we celebrated the ordination of Sister Griffin as Abbess of Glen Ard Abbey, the newly formed Celtic Buddhist monastery."

There is a rich vein of Celtic/British and Indian music fusions worth exploring:

Sheila Chandra - A stunning combination of Irish and English folk songs with Indian music and drones can be found in her album 'Weaving My Ancestors' Voices'. Sheila Chandra says: 'For me, this album is also a statement about going beyond Asian fusion. I do not want to be an Indian living museum piece here in England. Although I'm passionate about Asian music and culture, and though I involve the knowledge I have of Asian structure in my work, this album is more of a statement about me as a 'world citizen'. I believe that my heritage comes not specifically from my own culture. I believe I am a spiritual heir to a universal form of inspiration.'

Khanda - Uilleann piper from Dublin Martin Nolan and friends play with special guest Ramesh Shotam

Indian Alba - Two Indian classical musicians and two Scottish traditional musicians combine their influences to play music which shows that there are no boundaries between them. Starting with Reels and Ragas they have developed, over the past few years, a sound which reflects the broad common ground between their traditions. Many raga gats (themes), particularly those from the borders of the Himalayas, have close relatives in the melodies of the Scottish highlands and islands, and for both of them the drone sounds of the bagpipes or the tampura play an important part in the music.

Celtic Ragas - Celtic Ragas is a musical love affair between Celtic and Indian instrumentation. The strings of Dunster's sarod and Jamie's guitar eloquently meld into rich, flowing melodies making the similarities between the musical traditions of these two cultures apparent.

Four Shillings Short - Listen to their 'From Ragas to Riches'

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.

 

Patchwork Merchant Mercenaries.

 

Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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