In Witchcraft I put together two posts, one on the Besom Broom and another on how to make a Besom Broom...  As I reasearched I found perhaps a reason why a witches broom is related to flying.  Possible Origins below-

 

The generally accepted theory about the origins of witches and flying with their brooms is based in a ritual involving a psychoactive drug trip. The witches would prepare a flying ointment to aid them in their journey. There are many recipes for this ointment all having a base of either Atropa belladonna or Mandragora officinarum, both highly psychoactive drugs producing visions and encouraging astral projection. The ointment was rubbed all over the body using the broom. A personal account is given by one witch who described the act of rubbing the ointment on her hands and feet, which provided a sensation of flying. Witches mounted broomsticks and would leap around the fields, smeared with the flying ointment, in order to "teach the crops how high to grow". The ointment would give them hallucinations, which made them believe that they flew distances."

 

Now I went in search on line for a recipe to make "Flying Ointment," and could only find a repeat of this insturction.  Where as with this instruction the purpose it more for Ritual and Annointing. 

 

The following is a modern Witch's flying ointment recipe. It is safer to use and much easier to concoct:

o 1/4 cup lard

o 1/2 tsp clove oil

o 1 tsp chimney soot

o 1/4 tsp dried cinquefoil

o 1/4 tsp dried mug wort

o 1/4 tsp dried thistle

o 1/4 dried vervain

o 1/2 tsp benzoin tincture

Using a mortar and pestle, crush the dried herbs until almost powdered. In a small cauldron or saucepan, heat the lard over a low flame until it is melted completely. Add the herbs, the clove oil and chimney soot to the lard base and mix well. Add the benzoin as a natural preservative, stir together clockwise and then simmer for ten to fifteen minutes.

Strain it through cheesecloth into a small heat resistant container and then allow it to cool. Store it in your refrigerator or in a cool dark place until it is ready to be used.

On a night of the Full Moon, anoint your temples and Third Eye with a small amount of the flying ointment prior to astral projection or dream magick.

NOTE: For external use only!

 

http://www.occult100.com/bos/flying.html
http://outerbongolia.org/?p=92

'Flying Ointment' or 'Sabat Unguent' Recipe

You will find that flying ointments all have similar ingredients but the all differ. This is because there are a limited number of herbs which actually cause any sort of relaxation of the body and heightening of the senses. Fewer are legal and available to non-herbalist practitioners. Scott Cunningham seems to be the root of many of today's flying ointments, having an excellent section on this in his book "Incense Oils and Brews" which does describe a base similar to the one used here. This is not the only way to make an ointment base - additional blends are provided after the recipe itself. Doreen Valiente also gives about 6 pages to flying ointments including recipes and potential origins and effects of said ointments. She, as does every other author, cautions against the use of flying ointments. This flying ointment has been created to help facilitate astral travel but alone it will not cause it. It uses a standard base modified from Scott Cunningham and herbs and essential oils which, in the author's opinion, will help facilitate the object of using a flying ointment. Cautions and further information follow the recipe.

Here's what you'll need (all herbs and oils used are available from New Moon and are legal in the UK) :

1 cup pure beeswax

2/3 cup of jojoba oil mixed with 1/4 cup of wheatgerm oil

9 drops of the pure essential oil of juniper berry

9 drops of the pure essential oil of bog myrtle

9 drops of the pure essential oil of mysore sandalwood

9 drops of the pure essential oil of yarrow

9mL total of a combination of the pure essential oils of matricaria chamomile, rose otto, jasmine

3 grams of poppy petals *do not crush or they won't strain*

3 grams of hops *do not crush or they won't strain*

3 grams of wormwood *do not crush or they won't strain*

3 grams of dittany of Crete *do not crush or they won't strain*

3 grams of passionflower *do not crush or they won't strain*

3 grams of skullcap *do not crush or they won't strain*

3 grams of lavender *do not crush or they won't strain*

In a glass double boiler (a pot used in making candles to melt the beeswax at a lower temperature and prevent wax fires) - do not use metal, melt the beeswax gently using as low a heat as possible. Once the beeswax has melted, mix in half of the jojoba/wheatgerm oil combination until it is smooth. Once the mix is smooth (you have just made the base) then add your herbs to this mixture. Once added, keep at as low a temperature as possible, stirring constantly with a wooden spoon putting your magickal intention into the mixture so as to charge it (or a very clean stick which you sanded and created just for this purpose. Doing this increases the magickal intent of the mixture and so helps give it a boost).

After 33 min, ensure that the beeswax is quite liquid and use a mesh strainer you don't intend to use again to strain out the herbs from the mixture of beeswax and jojoba oil and place the mix back into the glass double boiler. Don't worry if you still have some herb in it however the herb will decay and so this shortens the life of your mix.
By this time, if you have kept your mixture at a constant low temperature, you should notice that it has a slightly different consistency from cooling. Now combine the remaining jojoba oil and the wheatgerm oil with the mixture the flower based essential oils (jasmine, rose, etc) in a separate container. Before the beeswax and jojoba oil mix begins to harden and without adding more heat, add first the pure essential oils (bog myrtle, juniper berry, etc) then the essential oils and base oils mix . This needs to be done when the mixture is as cool as possible but still fluid as essential oils are volatile and lose potency when heated to too high a temperature.

Now that you have finished you can pour your mix into glass, heatproof jars (as it will still be warm) and let it cool. Cap only after it has cooled and store in a cool, dark place. I suggest storing it in the fridge with the jar tightly capped to avoid moisture getting in. Use within a month - this mixture is not suitable for long term storage but can last under perfect conditions for 2 - 3 months.

This ointment is potent. Use it carefully and treat it with respect as you should all herbs and essential oils. Just because they are herbs, doesn't mean they are safe. To use, apply first a small amount to the inside of your elbow to check for reactions. Then if it is safe, apply a small amount in a thin coating to the inside of your wrist and a small amount to your temples. For faster absorption, spread a thin coating on the soles of your feet. While books which talk about flying ointments suggest smearing it all over your body, I do not recommend this approach.

Keep this mix away from your eyes nose, mouth and other sensitive areas of your body. Contrary to what you may have read on the web, this should *not* be placed in the genital area of the body. Do *not* ingest this mixture. As this mixture contains oils with contraindications, I suggest that you avoid using this mix if you: are pregnant, have high blood pressure, have a history of mental illness, or if you are suffering from prolonged insomnia.

Alternate base combinations - these vary in room temperature state from quite solid to quite liquid. You can vary the firmness of the mixture you need by altering the amount of beeswax or oil used - more beeswax for a firmer mix, more oil or a softer mix. Recipes for bases are guidelines only and after adding herbs or oils, you may feel the need to adjust the firmness. I suggest placing a teaspoon of the mix in the freezer to check for firmness before adding more wax or oil. There is no need for tincture of benzoin as is so popular with some recipes as this tincture is used for mixtures containing a shortening or fatty base where the fat is solid at room temperature.

8 parts beeswax to 1 part vegetable oil
2 parts beeswax to 1 part lanoline and 1 part almond oil
5 parts beeswax to 1 part base oil
3 parts beeswax to 1 part jojoba oil
1 part beeswax to 1 part almond oil
3 parts almond oil to 1 part beeswax
4 parts oil to 1 part beeswax
8 parts olive oil to one part beeswax


Doreen Valiente asserts that of the several existing possible translations of the original Latin recipe, all contain herbs which are poisonous but which may bring on a common experience which is what has been described as the Witch's Sabat. A combination of the deadly thornapple, henbane, deadly nightshade, wild celery and parsley (presumably to combat that horrible 'morning after the sabat before' breath) were used in a base of hog's fat and this was applied to two participants who had no notion of what it would do, what witches apparently did or any knowledge of flying ointments. They both described similar visions of orgiastic rites performed by demons which begs the question of whether this particular poisonous combination taps our collective unconsious or a race memory. We may never know as those are so deadly, it is unlikely research could possibly proceed.

Some sources:
"An ABC of Witchcraft Past and Present" by Doreen Valiente
"How Do Witches Fly?" by Dr. Alexander Kuklin
"Witch Hill" by Marion Zimmer Bradley
"Magical Herbalism" and "Incense, Oils and Brews" both by S Cunningham
"Wicca Craft" by Gerina Dunwich
"Hallucinogens and Shamanism", edited by Michael Harner
"The Encyclopaedia of Essential Oils" By Julia Lawless
"The Herb Book" by John Lust
"A Modern Herbal" by Mrs. M. Grieve
"The Master Book of Herbalism" by Paul Beyerl
"Magical Aromatherapy" by S Cunningham
Wylundt's Book of Incense" by Wylundt


This recipe was contributed by Straif Blackthorn, a professional aromatherapist and witch of over 15 years. She has combined her knowledge of plants and essential oils plus her techniques for making pure skin care products to bring you this recipe. The books sited above represent only a small number of those which have served Straif Blackthorn well in the creation of the blending of herbs and the search for legal alternatives to henbane, datura, monkshood, cowbane, mandrake, and other reputed ingredients of the ancient flying ointments. You may copy this to your website provided all the information is left in tack and a link to the originating website is maintained.

Copyright remains with the original author
http://www.newmoon.uk.com/spells/49a.htm

 

There is two recipe in Scott Cunningham's book, The Complete Book of Incense, Oils & Brews, for Astral projections.
Flying Ointment, both are nontoxic
#1
1 part Dittany of Crete
1 part Cinquefoil
1 Part Mugwort
1 part Parsley
Add herbs to shortening and prepare the usual way. Anoint the body prior to attempting astral projection.

#2

2 drops Sandalwood oil
1 drop Jasmine oil
1 drop Benzoin oil
1 drop Mace oil
Add the oils to the beeswax/oil base. Use the same way as recipe #1.

 

 

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.

 

Patchwork Merchant Mercenaries.

 

Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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