Reptilian humanoids are a proposed race of intelligent, supernatural, or highly developed reptile-like humanoids in mythology, popular fiction, pseudoscientific theories and in the writings of New Age conspiracists. They appear in some conspiracy theories, most notably those of Riley Martin, John Rhodes, David Icke, and in science fiction. Reptoids, a conjoined word defining Reptilian-Humanoid beings, is the most popular name used to describe these cryptid beings, although some authors also refer to them as dinosauroids, lizardfolk or lizardmen. Other names include Draconians, Saurians and Sauroids. They are often described as being green or gold color.

Similar to the other cryptids, no one has produced proof of the existence of reptilian humanoids, and allegations of their existence can at best be referred to as cryptozoology or pseudoscience.

Reptilians in Mythology
Several ancient peoples all over the world have described reptilian beings, and some have described reptilian humanoids. Common in numerous mythologies are tales of reptilian creatures (usually not humanoid) who are often, but not always, hostile to human beings. Also rather common are the myths of "Serpents of Wisdom" who enlightened humanity before the dawn of civilization.

Some individuals, doubting claims of reptilian humanoid sightings or contacts, suggest that the mythological preeminence of reptilian forms could stem from a genetic memory of instincts developed millions of years ago, when mammals were the prey of the reptiles which dominated the Earth. Dreams of reptiles are often interpreted as symbolizing "ancient drives" and "instinctive responses".
The Americas

The Toltec Mayan god Gucumatz was described as a "serpent of wisdom" who enlightened humankind. His Aztec counterpart was named Quetzalcoatl. In the Yucatan, he is called Kukulcan.

The Hopi refer to a race of reptoids called the Sheti, or "Snake-Brothers", who live underground. The Cherokee and other Native American peoples also refer to reptoid races.

In pre-Columbian mythology from Colombia, Bachue (the primordial woman) transformed into a big snake. She is also sometimes called the "Celestial Snake" (Serpiente Celestial).

Many users of the drug Dimethyltryptamine (the active ingredient in many South American shamanic potions such as ayahuasca) have seen reptilian humanoids or reptilian disincarnate entities and aliens while hallucinating (Strassman 2000).

Europe

Cecrops I, the legendary first King of Athens was said to have been half man, half snake. The ancient Titans and Gigantes were sometimes depicted as winged man-like beings with serpents instead of legs, for example on a fresco on a temple in Pergamum. In these images from Pergamum, some of which depict the gigantomachy, one sees the giant Klyteios with huge serpents in place of legs.

Boreas (Aquilon to the Romans) was the Greek god of the cold north wind, described by Pausanias as a winged man with serpents for legs.

The European dragon dates back to ancient depictions on various archaeological artifacts. An early instance in literature was the dragon that guarded the Golden Fleece in the Voyage of the Argonauts. In the Middle Ages, tales of dragons seem to have become even more common. The dragon in Europe, as a rule, was not conceived as having a humanoid form, and would not qualify as an instance of a reptilian humanoid unless explicitly described as humanoid.

India

In Indian scriptures and legends the Naga (Devanagari: ???) are reptilian beings said to live underground and interact with human beings on the surface. Some are alleged to turn human. In some versions, these beings were said to have once lived on a continent in the Indian Ocean that sank beneath the waves. Indian texts also refer to a reptilian race called the "Sarpa" (Devanagari: ????). The Syrictæ (Greek: Skiritai, Latin: Sciritae) of India were a tribe of men with snake-like nostrils in place of noses and bandy serpentine legs.

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.

 

Patchwork Merchant Mercenaries.

 

Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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