Gypsies are known as a vagabond race, traveling from one place to another. Most fiction portrays them as having loose morals - thieves, lustful, and dishonest. But that is a generalization that truly only applies to a few, not the entire race. Gypsy women are actually very faithful to one man at a time. Of course some gypsies are thieves and tricksters, but you can find those in any culture.

Origin
The technical term for a gypsy is Roma. Originally the Roma came from India, which can be traced back through their language and culture. They were likely called "gypsy" first by Europeans that thought they came from Egypt. Now Romani can be found all over the world, but the majority in central and eastern Europe.

Culture
Their culture, trades, and language are passed down from one person to the next. Most do not read or write. Caravans are formed of related families. Each band is led by a kris, a tribunal leader who passes judgment based of their religious beliefs and customs.

A common feature of gypsies in fiction is their magic: fortune-telling, curses, and the like. The specific beliefs and cultures vary from group to group, as they have spread far and wide without a collective location. Most modern Roma have absorbed local religion and culture, so a modern gypsy curse would be unlikely. The traditional beliefs were centered on their Goddess Kali. Her symbol was a triangle. They believed in the power of curses, healing rituals, good luck charms, reincarnation, and purity taboos.

Transportation
The gypsy wagon is traditionally called a vardo. For a great site with pictures and floor plans of a modern vardo, visit http://www.enslin.com/rae/gypsy/wagon01.htm. The wagons are horse-drawn. Some modern day gypsies have switched to trucks and trailers.

Marriage
In the past, Romani typically married between the ages of 9 and 14. Marriage to an outsider was strongly discouraged. The ceremony consisted of joining hands in front of a chief or elder and promising to remain true to each other, or in other tribes simply jumping over a broomstick together in the presence of family.

Occupations
Romania are well-known for their musicians, dancers, and fortune-tellers. Drabardi is the term for a fortune-teller, though they only read fortunes for non-Roma. Other traditional occupations are metalworking, horse trading, and animal training and doctoring. As these skills aren't as needed in modern day, many Roma live in poverty.

Folklore
Gypsy tales, like most traditional fairy tales, are adult-oriented rather than childish. As the rest of their culture, these stories were shared orally. Francis Hindes Groom was a folklorist who immersed himself in Roma/Gypsy life. His book, Gypsy Folk Tales, consists of the stories he gathered during his experience. You can view it online at http://www.sacred-texts.com/neu/roma/gft/index.htm.

Fiction
Mulengro, by Charles de Lint, focuses on a modern day Rom living in Canada. It's a dark fantasy and delves deeply into Roma culture. Otherland, by Tad Williams, has gypsies in the form of nomads who disregard the borders of an advanced virtual reality cyberspace. Lloyd Alexander's Gypsy Rizka is about a half-gypsy girl awaiting the return of her Gypsy father. Phillip Pullman's His Dark Materials trilogy has a gyptian race who travel on boats instead of wagons.

by Mary W. Jensen

Gypsies are known as a vagabond race, traveling from one place to another. Most fiction portrays them as having loose morals - thieves, lustful, and dishonest. But that is a generalization that truly only applies to a few, not the entire race. Gypsy women are actually very faithful to one man at a time. Of course some gypsies are thieves and tricksters, but you can find those in any culture.

Origin
The technical term for a gypsy is Roma. Originally the Roma came from India, which can be traced back through their language and culture. They were likely called "gypsy" first by Europeans that thought they came from Egypt. Now Romani can be found all over the world, but the majority in central and eastern Europe.

Culture
Their culture, trades, and language are passed down from one person to the next. Most do not read or write. Caravans are formed of related families. Each band is led by a kris, a tribunal leader who passes judgment based of their religious beliefs and customs.

A common feature of gypsies in fiction is their magic: fortune-telling, curses, and the like. The specific beliefs and cultures vary from group to group, as they have spread far and wide without a collective location. Most modern Roma have absorbed local religion and culture, so a modern gypsy curse would be unlikely. The traditional beliefs were centered on their Goddess Kali. Her symbol was a triangle. They believed in the power of curses, healing rituals, good luck charms, reincarnation, and purity taboos.

Transportation
The gypsy wagon is traditionally called a vardo. For a great site with pictures and floor plans of a modern vardo, visit http://www.enslin.com/rae/gypsy/wagon01.htm. The wagons are horse-drawn. Some modern day gypsies have switched to trucks and trailers.

Marriage
In the past, Romani typically married between the ages of 9 and 14. Marriage to an outsider was strongly discouraged. The ceremony consisted of joining hands in front of a chief or elder and promising to remain true to each other, or in other tribes simply jumping over a broomstick together in the presence of family.

Occupations
Romania are well-known for their musicians, dancers, and fortune-tellers. Drabardi is the term for a fortune-teller, though they only read fortunes for non-Roma. Other traditional occupations are metalworking, horse trading, and animal training and doctoring. As these skills aren't as needed in modern day, many Roma live in poverty.

Folklore
Gypsy tales, like most traditional fairy tales, are adult-oriented rather than childish. As the rest of their culture, these stories were shared orally. Francis Hindes Groom was a folklorist who immersed himself in Roma/Gypsy life. His book, Gypsy Folk Tales, consists of the stories he gathered during his experience. You can view it online at http://www.sacred-texts.com/neu/roma/gft/index.htm.

Fiction
Mulengro, by Charles de Lint, focuses on a modern day Rom living in Canada. It's a dark fantasy and delves deeply into Roma culture. Otherland, by Tad Williams, has gypsies in the form of nomads who disregard the borders of an advanced virtual reality cyberspace. Lloyd Alexander's Gypsy Rizka is about a half-gypsy girl awaiting the return of her Gypsy father. Phillip Pullman's His Dark Materials trilogy has a gyptian race who travel on boats instead of wagons.

by Mary W. Jensen

Gypsies are known as a vagabond race, traveling from one place to another. Most fiction portrays them as having loose morals - thieves, lustful, and dishonest. But that is a generalization that truly only applies to a few, not the entire race. Gypsy women are actually very faithful to one man at a time. Of course some gypsies are thieves and tricksters, but you can find those in any culture.

Origin
The technical term for a gypsy is Roma. Originally the Roma came from India, which can be traced back through their language and culture. They were likely called "gypsy" first by Europeans that thought they came from Egypt. Now Romani can be found all over the world, but the majority in central and eastern Europe.

Culture
Their culture, trades, and language are passed down from one person to the next. Most do not read or write. Caravans are formed of related families. Each band is led by a kris, a tribunal leader who passes judgment based of their religious beliefs and customs.

A common feature of gypsies in fiction is their magic: fortune-telling, curses, and the like. The specific beliefs and cultures vary from group to group, as they have spread far and wide without a collective location. Most modern Roma have absorbed local religion and culture, so a modern gypsy curse would be unlikely. The traditional beliefs were centered on their Goddess Kali. Her symbol was a triangle. They believed in the power of curses, healing rituals, good luck charms, reincarnation, and purity taboos.

Transportation
The gypsy wagon is traditionally called a vardo. For a great site with pictures and floor plans of a modern vardo, visit http://www.enslin.com/rae/gypsy/wagon01.htm. The wagons are horse-drawn. Some modern day gypsies have switched to trucks and trailers.

Marriage
In the past, Romani typically married between the ages of 9 and 14. Marriage to an outsider was strongly discouraged. The ceremony consisted of joining hands in front of a chief or elder and promising to remain true to each other, or in other tribes simply jumping over a broomstick together in the presence of family.

Occupations
Romania are well-known for their musicians, dancers, and fortune-tellers. Drabardi is the term for a fortune-teller, though they only read fortunes for non-Roma. Other traditional occupations are metalworking, horse trading, and animal training and doctoring. As these skills aren't as needed in modern day, many Roma live in poverty.

Folklore
Gypsy tales, like most traditional fairy tales, are adult-oriented rather than childish. As the rest of their culture, these stories were shared orally. Francis Hindes Groom was a folklorist who immersed himself in Roma/Gypsy life. His book, Gypsy Folk Tales, consists of the stories he gathered during his experience. You can view it online at http://www.sacred-texts.com/neu/roma/gft/index.htm.

Fiction
Mulengro, by Charles de Lint, focuses on a modern day Rom living in Canada. It's a dark fantasy and delves deeply into Roma culture. Otherland, by Tad Williams, has gypsies in the form of nomads who disregard the borders of an advanced virtual reality cyberspace. Lloyd Alexander's Gypsy Rizka is about a half-gypsy girl awaiting the return of her Gypsy father. Phillip Pullman's His Dark Materials trilogy has a gyptian race who travel on boats instead of wagons.
http://www.emeraldgypsy.com/romany-gypsy.html 

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.

 

Patchwork Merchant Mercenaries.

 

Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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