THE BOOK OF HALLOWE'EN

 

CHAPTER I

 

SUN-WORSHIP. THE SOURCES OF HALLOWE'EN

 

IF we could ask one of the old-world pagans whom he revered as his greatest gods, he would be sure to name among them the sun-god; calling him Apollo if he were a Greek; if an Egyptian, Horus or Osiris; if of Norway, Sol; if of Peru, Bochica. As the sun in the center of the physical universe, so all primitive peoples made it the hub about which their religion revolved, nearly always believing it a living person to whom they could say prayers and offer sacrifices, who directed their lives and destinies, and could even snatch men from earthly existence to dwell for a time with him, as it draws the water from lakes and seas.

 

In believing this they followed an instinct of all early peoples, a desire to make persons of the great powers of nature, such as the world of growing things, mountains and water, the sun, moon, and stars; and a wish for these gods they had made to take an interest in and be part of their daily life. The next step was making stories about them to account for what was seen; so arose myths and legends.

 

The sun has always marked out work-time and rest, divided the year into winter idleness, seed-time, growth, and harvest; it has always been responsible for all the beauty and goodness of the earth; it is itself splendid to look upon. It goes away and stays longer and longer, leaving the land in cold and gloom; it returns bringing the long fair days and resurrection of spring. A Japanese legend tells how the hidden sun was lured out by an image made of a copper plate with saplings radiating from it like sunbeams, and a fire kindled, dancing, and prayers; and round the earth in North America the Cherokees believed they brought the sun back upon its northward path by the same means of rousing its curiosity, so that it would come out to see its counterpart and find out what was going on.

 

All the more important church festivals are survivals of old rites to the sun. "How many times the Church has decanted the new wine of Christianity into the old bottles of heathendom." Yule-tide, the pagan Christmas, celebrated the sun's turning north, and the old midsummer holiday is still kept in Ireland and on the Continent as St. John's Day by the lighting of bonfires and a dance about them from east to west as the sun appears to move. The pagan Hallowe'en at the end of summer was a time of grief for the decline of the sun's glory, as well as a harvest festival of thanksgiving to him for having ripened the grain and fruit, as we formerly had husking-bees when the ears had been garnered, and now keep our own Thanksgiving by eating of our winter store in praise of God who gives us our increase.

 

Pomona, the Roman goddess of fruit, lends us the harvest element of Hallowe'en; the Celtic day of "summer's end" was a time when spirits, mostly evil, were abroad; the gods whom Christ dethroned joined the ill-omened throng; the Church festivals of All Saints' and All Souls' coming at the same time of year--the first of November--contributed the idea of the return of the dead; and the Teutonic May Eve assemblage of witches brought its hags and their attendant beasts to help celebrate the night of October 31st.

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CHAPTER XIV
MORE HALLOWTIDE BELIEFS AND CUSTOMS

ONLY the Celts and the Teutonics celebrate an occasion actually like our Hallowe'en. The countries of southern Europe make of it a religious vigil, like that already described in France.

In Italy on the night of All Souls', the spirits of the dead are thought to be abroad, as in Brittany. They may mingle with living people, and not be remarked. The Miserere is heard in all the cities. As the people pass dressed in black, bells are rung on street corners to remind them to pray for the souls of the dead. In Naples the skeletons in the funeral vaults are dressed up, and the place visited on All Souls' Day. In Salerno before the people go to the all-night services at church they set out a banquet for the dead. If any food is left in the morning, evil is in store for the house.



"Hark! Hark to the wind! 'T is the night, they say,
When all souls come back from the far away--
The dead, forgotten this many a day!

"And the dead remembered--ay! long and well--
And the little children whose spirits dwell
In God's green garden of asphodel.

"Have you reached the country of all content,
O souls we know, since the day you went
From this time-worn world, where your years were spent?

"Would you come back to the sun and the rain,
The sweetness, the strife, the thing we call pain,
And then unravel life's tangle again?

"I lean to the dark--Hush!--was it a sigh?
Or the painted vine-leaves that rustled by?
Or only a night-bird's echoing cry?"

--SHEARD: Hallowe'en.



In Malta bells are rung, prayers said, and mourning worn on All Souls' Day. Graves are decorated, and the inscriptions on tombs read and reread. For the poor is prepared an All Souls' dinner, as cakes are given to the poor in England and Wales. The custom of decorating graves with flowers and offering flowers to the dead comes from the crowning of the dead by the ancients with short-lived blooms, to signify the brevity of life.

In Spain at dark on Hallowe'en cakes and nuts are laid on graves to bribe the spirits not to disturb the vigils of the saints.

In Germany the graves of the dead are decorated with flowers and lights, on the first and second of November. To drive away ghosts from a church a key or a wand must be struck three times against a bier. An All Souls' divination in Germany is a girl's going out and asking the first young man she meets his name. Her husband's will be like it. If she walks thrice about a church and makes a wish, she will see it fulfilled.

Belgian children build shrines in front of their homes with figures of the Madonna and candles, and beg for money to buy cakes. As many cakes as one eats, so many souls he frees from Purgatory.

The races of northern Europe believed that the dead returned, and were grieved at the lamentations of their living relatives. The same belief was found in Brittany, and among the American Indians.



"Think of this, O Hiawatha!
Speak of it to all the people,
That henceforward and forever
They no more with lamentations
Sadden souls of the departed
In the Islands of the Blessed!"

--LONGFELLOW: Hiawatha.



The Chinese fear the dead and the dragons of the air. They devote the first three weeks in April to visiting the graves of their ancestors, and laying baskets of offerings on them. The great dragon, Feng-Shin, flies scattering blessings upon the houses. His path is straight, unless he meets with some building. Then he turns aside, and the owner of the too lofty edifice misses the blessing.

At Nikko, Japan, where there are many shrines to the spirits of the dead, masques are held to entertain the ghosts who return on Midsummer Day. Every street is lined with lighted lanterns, and the spirits are sent back to the otherworld in straw boats lit with lanterns, and floated down the river. To see ghosts in Japan one must put one hundred rush-lights into a large lantern, and repeat one hundred lines of poetry, taking one light out at the end of each line; or go out into the dark with one light and blow it out. Ghosts are identified with witches. They come back especially on moonlit nights.



"On moonlight nights, when the coast-wind
whispers in the branches of the tree, O-Matsue
and Teoyo may sometimes be seen, with bamboo
racks in their hands, gathering together the
needles of the fir."

--RINDER: Great Fir-Tree of Takasago.



There is a Chinese saying that a mirror is the soul of a woman. A pretty story is told of a girl whose mother before she died gave her a mirror, saying:

"Now after I am dead, if you think longingly of me, take out the thing that you will find inside this box, and look at it. When you do so my spirit will meet yours, and you will be comforted." When she was lonely or her stepmother was harsh with her, the girl went to her room and looked earnestly into the mirror. She saw there only her own face, but it was so much like her mother's that she believed it was hers indeed, and was consoled. When the stepmother learned what it was her daughter cherished so closely, her heart softened toward the lonely girl, and her life was made easier.

By the Arabs spirits were called Djinns (or genii). They came from fire, and looked like men or beasts. They might be good or evil, beautiful or horrible, and could disappear from mortal sight at will. Nights when they were abroad, it behooved men to stay under cover.



"Ha! They are on us, close without!
Shut tight the shelter where we lie;
With hideous din the monster rout,
Dragon and vampire, fill the sky."
CHAPTER XV
HALLOWE'EN IN AMERICA

IN Colonial days Hallowe'en was not celebrated much in America. Some English still kept the customs of the old world, such as apple-ducking and snapping, and girls tried the apple-paring charm to reveal their lovers' initials, and the comb-and-mirror test to see their faces. Ballads were sung and ghost-stories told, for the dead were thought to return on Hallowe'en.

"There was a young officer in Phip's company at the time of the finding of the Spanish treasure-ship, who had gone mad at the sight of the bursting sacks that the divers had brought up from the sea, as the gold coins covered the deck. This man had once lived in the old stone house on the 'faire greene lane,' and a report had gone out that his spirit still visited it, and caused discordant noises. Once . . . on a gusty November evening, when the clouds were scudding over the moon, a hall-door had blown open with a shrieking draft and a force that caused the floor to tremble."

--BUTTERWORTH: Hallowe'en Reformation.

Elves, goblins, and fairies are native on American soil. The Indians believed in evil manitous, some of whom were water-gods who exacted tribute from all who passed over their lakes. Henry Hudson and his fellow-explorers haunted as mountain-trolls the Catskill range. Like Ossian and so many other visitors to the Otherworld, Rip Van Winkle is lured into the strange gathering, thinks that he passes the night there, wakes, and goes home to find that twenty years have whitened his hair, rusted his gun, and snatched from life many of his boon-companions.

"My gun must have cotched the rheumatix too. Now that's too bad. Them fellows have gone and stolen my good gun, and leave me this rusty old barrel.

"Why, is that the village of Falling Waters that I see? Why, the place is more than twice the size it was last night--I---

"I don't know whether I am dreaming, or sleeping, or waking."

--JEFFERSON: Rip Van Winkle.

The persecution of witches, prevalent in Europe, reached this side of the Atlantic in the seventeenth century.

"This sudden burst of wickedness and crime
Was but the common madness of the time,
When in all lands, that lie within the sound
Of Sabbath bells, a witch was burned or drowned."

--LONGFELLOW: Giles Corey of the Salem Farms.

Men and women who had enemies to accuse them of evil knowledge and the power to cause illness in others, were hanged or pressed to death by heavy weights. Such sicknesses they could cause by keeping a waxen image, and sticking pins or nails into it, or melting it before the fire. The person whom they hated would be in torture, or would waste away like the waxen doll. Witches' power to injure and to prophesy came from the Devil, who marked them with a needle-prick. Such marks were sought as evidence at trials.

"Witches' eyes are coals of fire from the pit." They were attended by black cats, owls, bats, and toads.

Iron, as being a product of fire, was a protection against them , as against evil spirits everywhere. It had especial power when in the shape of a horseshoe.

"This horseshoe will I nail upon the threshold.
There, ye night-hags and witches that torment
The neighborhood, ye shall not enter here."

--LONGFELLOW: Giles Corey of the Salem Farms.

The holiday-time of elves, witches, and ghosts is Hallowe'en. It is not believed in here except by some children, who people the dark with bogies who will carry them away if they are naughty.

"Onc't they was a little boy wouldn't say his prayers--
An' when he went to bed at night, away upstairs,
His mammy heerd him holler, an' his daddy heerd him bawl,
An' when they turn't the kivvers down, he wasn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbley-flue, an' ever'wheres, I guess;
But all they ever found was thist his pants an' roundabout!
An' the Gobble-uns 'll git you, ef you don't watch out!"

--RILEY: Little Orphant Annie.

Negroes are very superstitious, putting faith in all sorts of supernatural beings.

"Blame my trap! how de wind do blow;
And dis is das de night for de witches, sho!
Dey's trouble going to waste when de ole slut whine,
An' you hear de cat a-spittin' when de moon don't shine."

--RILEY: When de Folks is Gone.

While the original customs of Hallowe'en are being forgotten more and more across the ocean, Americans have fostered them, and are making this an occasion something like what it must have been in its best days overseas. All Hallowe'en customs in the United States are borrowed directly or adapted from those of other countries. All superstitions, everyday ones, and those pertaining to Christmas and New Year's, have special value on Hallowe'en.

It is a night of ghostly and merry revelry. Mischievous spirits choose it for carrying off gates and other objects, and hiding them or putting them out of reach.

"Dear me, Polly, I wonder what them boys
will be up to to-night. I do hope they'll not put
the gate up on the shed as they did last year."

--WRIGHT: Tom's Hallowe'en Joke.

Bags filled with flour sprinkle the passers-by. Door-bells are rung and mysterious raps sounded on doors, things thrown into halls, and knobs stolen. Such sports mean no more at Hallowe'en than the tricks played the night before the Fourth of July have to do with the Declaration of Independence. We see manifested on all such occasions the spirit of "Free-night" of which George von Hartwig speaks so enthusiastically in St. John's Fire (page 141).

Hallowe'en parties are the real survival of the ancient merrymakings. They are prepared for in secret. Guests are not to divulge the fact that they are invited. Often they come masked, as ghosts or witches.

The decorations make plain the two elements of the festival. For the centerpiece of the table there may be a hollowed pumpkin, filled with apples and nuts and other fruits of harvest, or a pumpkin-chariot drawn by field-mice. So it is clear that this is a harvest-party, like Pomona's feast. In the coach rides a witch, representing the other element, of magic and prophesy. Jack-o'-lanterns, with which the room is lighted, are hollowed pumpkins with candles inside. The candlelight shines through holes cut like features. So the lantern becomes a bogy, and is held up at a window to frighten those inside. Cornstalks from the garden stand in clomps about the room. A frieze of witches on broomsticks, with cats, bats, and owls surmounts the fireplace, perhaps. A full moon shines over all, and a caldron on a tripod holds fortunes tied in nut-shells. The prevailing colors are yellow and black; a deep yellow is the color of most ripe grain and fruit; black stands for black magic and demoniac influence. Ghosts and skulls and cross-bones, symbols of death, startle the beholder. Since Hallowe'en is a time for lovers to learn their fate, hearts and other sentimental tokens are used to good effect, as the Scotch lads of Burns's time wore love-knots.

Having marched to the dining-room to the time of a dirge, the guests find before them plain, hearty fare; doughnuts, gingerbread, cider, popcorn, apples, and nuts honored by time. The Hallowe'en cake had held the place of honor since the beginning here in America. A ring, key, thimble, penny, and button baked in it foretell respectively speedy marriage, a jouney, spinsterhood, wealth, and bachelorhood.



"Polly was going to be married, Jennie was going on a long journey, and you--down went the knife against something hard. The girls crowded round. You had a hurt in your throat, and there, there, in your slice, was the horrid, hateful, big brass thimble. It was more than you could bear--soaking, dripping wet, and an old maid!"

--BRADLEY: Different Party.



The kitchen is the best place for the rough games and after-supper charms.

On the stems of the apples which are to be dipped for may be tied names; for the boys in one tub, for the girls in another. Each searcher of the future must draw out with his teeth an apple with a name which will be like that of his future mate.

A variation of the Irish snap-apple is a hoop hung by strings from the ceiling, round which at intervals are placed bread, apples, cakes, peppers, candies, and candles. The strings are twisted, then let go, and as the hoop revolves, each may step up and get a bite from whatever comes to him. By the taste he determines what the character of his married life will be,--whether wholesome, acid, soft, fiery, or sweet. Whoever bites the candle is twice unfortunate, for he must pay a forfeit too. An apple and a bag of flour are placed on the ends of a stick, and whoever dares to seize a mouthful of apple must risk being blinded by flour. Apples are suspended one to a string in a doorway. As they swing, each guest tries to secure his apple. To blow out a candle as it revolves on a stick requires attention and accuracy of aim.

The one who first succeeds in threading a needle as he sits on a round bottle on the floor will be first married. Twelve candles are lighted, and placed at convenient distances on the floor in a row. As the guest leaps over them, the first he blows out will indicate his wedding-month. One candle only placed on the floor and blown out in the same way means a year of wretchedness ahead. If it still burns, it presages a year of joy.

Among the quieter tests some of the most common are tried with apple-seeds. As in England a pair of seeds named for two lovers are stuck on brow or eyelids. The one who sticks longer is the true, the one who soon falls, the disloyal sweetheart. Seeds are used in this way to tell also whether one is to be a traveler or a stay-at-home. Apple-seeds are twice ominous, partaking of both apple and nut nature. Even the number of seeds found in a core has meaning. If you put them upon the palm of your hand, and strike it with the other, the number remaining will tell you how many letters you will receive in a fortnight. With twelve seeds and the names of twelve friends, the old rhyme may be repeated:



"One I love,
Two I love,
Three I love, I say;
Four I love with all my heart:
Five I cast away.
Six he loves,
Seven she loves,
Eight they both love;
Nine he comes,
Ten he tarries,
Eleven he courts, and
Twelve he marries."



Nuts are burned in the open fire. It is generally agreed that the one for whom the first that pops is named, loves.



"If he loves me, pop and fly;
If he hates me, live and die."



Often the superstition connected therewith is forgotten in the excitement of the moment.



"When ebery one among us toe de smallest pickaninny
Would huddle in de chimbley cohnah's glow,
Toe listen toe dem chilly win's ob ole Novembah's
Go a-screechin' lack a spook around de huts,
'Twell de pickaninnies' fingahs gits to shakin' o'er de embahs,
An' dey laik ter roas' dey knuckles 'stead o' nuts."

--IN WERNER'S Readings, Number 31.



Letters of the alphabet are carved on a pumpkin. Fate guides the hand of the blindfolded seeker to the fateful initial which he stabs with a pin. Letters cut out of paper are sprinkled on water in a tub. They form groups from which any one with imagination may spell out names
Girls walk down cellar backward with a candle in one hand and a looking-glass in the other, expecting to see a face in the glass.

"Last night 't was witching Hallowe'en,
Dearest; an apple russet-brown
I pared, and thrice above my crown
Whirled the long skin; they watched it keen;
I flung it far; they laughed and cried me shame--
Dearest, there lay the letter of your name.

"Took I the mirror then, and crept
Down, down the creaking narrow stair;
The milk-pans caught my candle's flare
And mice walked soft and spiders slept.
I spoke the spell, and stood the magic space,
Dearest--and in the glass I saw your face!

"And then I stole out in the night
Alone; the frogs piped sweet and loud,
The moon looked through a ragged cloud.
Thrice round the house I sped me light,
Dearest; and there, methought--charm of my charms!
You met me, kissed me, took me to your arms!"

--OPPER: The Charms.

There are many mirror tests. A girl who sits before a mirror at midnight on Hallowe'en combing her hair and eating an apple will see the face of her true love reflected in the glass. Standing so that through a window she may see the moon in a glass she holds, she counts the number of reflections to find out how many pleasant things will happen to her in the next twelve months. Alabama has taken over the Scotch mirror test in its entirety.

A girl with a looking-glass in her hand steps backward from the door out into the yard. Saying:

"Round and round, O stars so fair!
Ye travel, and search out everywhere.
I pray you, sweet stars, now show to me,
This night, who my future husband shall be!"

she goes to meet her fate.

"So Leslie backed out at the door, and we shut it upon her. The instant after, we heard a great laugh. Off the piazza she had stepped backward directly against two gentlemen coming in.

"Doctor Ingleside was one, coming to get his supper; the other was a friend of his. . . .

'Doctor John Hautayne,' he said, introducing him by his full name."

--WHITNEY: We Girls.

A custom that is a reminder of the lighted boats sent down-stream in Japan to bear away the souls of the dead, is that which makes use of nut-shell boats. These have tiny candles fastened in them, are lighted, and named, and set adrift on a tub of water. If they cling to the side, their namesakes will lead a quiet life. Some will float together. Some will bear steadily toward a goal thou the waves are rocked in a tempest. Their behavior is significant. The candle which burns longest belongs to the one who will marry first.

The Midsummer wheel which was rolled down into the Moselle River in France, and meant, if the flames that wreathed it were not extinguished, that the grape-harvest would be abundant, has survived in the fortune wheel which is rolled about from one guest to another, and brings a gift to each.

The actions of cats on Hallowe'en betoken good or bad luck. If a cat sits quietly beside any one, he will enjoy a peaceful, prosperous life; if one rubs against him, it brings good luck, doubly good if one jumps into his lap. If a cat yawns near you on Hallowe'en, be alert and do not let opportunity slip by you. If a cat runs from you, you have a secret which will be revealed in seven days.

Different states have put interpretations of their own on the commonest charms. In Massachusetts the one who first draws an apple from the tub with his teeth will be first married. If a girl steals a cabbage, she will see her future husband as she pulls it up, or meet him as she goes home. If these fail, she must put the cabbage over the door and watch to see whom it falls on, for him she is to marry. A button concealed in mashed potato brings misfortune to the finder. The names of three men are written on slips of paper, and enclosed in three balls of meal. The one that rises first when they are thrown into water will disclose the sought-for name.

Maine has borrowed the yarn-test from Scotland. A ball is thrown into a barn or cellar, and wound off on the hand. The lover will come and help to wind. Girls in New Hampshire place in a row three dishes with earth, water, and a ring in them, respectively. The one who blindfolded touches earth will soon die; water, will never marry; the ring, will soon be wedded.

To dream of the future on Hallowe'en in Pennsylvania, one must go out of the front door backward, pick up dust or grass, wrap it in paper, and put it under his pillow.

In Maryland girls see their future husbands by a rite similar to the Scotch "wetting of the sark-sleeve." They put an egg to a roast, and open wide all the doors and windows. The man they seek will come in and turn the egg. At supper girls stand behind the chairs, knowing that the ones they are to marry will come to sit in front of them.

The South has always been famous for its hospitality and good times. On Hallowe'en a miniature Druid-fire burns in a bowl on the table. In the blazing alcohol are put furtunes wrapped in tin-foil, figs, orange-peel, raisins, almonds, and dates. The one who snatches the best will meet his sweetheart inside of a year, and all may try for a fortune from the flames. The origin of this custom was the taking of omens from the death-struggles of creatures burning in the fire of sacrifice.

Another Southern custom is adapted from one of Brittany. Needles are named and floated in a dish of water. Those which cling side by side are lovers.

Good fortune is in store for the one who wins an apple from the tub, or against whose glass a ring suspended by a hair strikes with a sharp chime.

A very elaborate charm is tried in Newfoundland. As the clock strikes midnight a girl puts the twenty-six letters of the alphabet, cut from paper, into a pure-white bowl which has been touched by the lips of a new-born babe only. After saying:

"Kind fortune, tell me where is he
Who my future lore shall be;
From this bowl all that I claim
Is to know my sweetheart's name."

she puts the bowl into a safe place until morning. Then she is blindfolded and picks out the same number of letters as there are in her own name, and spells another from them.

In New Brunswick, instead of an apple, a hard-boiled egg without salt is eaten before a mirror, with the same result. In Canada a thread is held over a lamp. The number that can be counted slowly before the thread parts, is the number of years before the one who counts will marry.

In the United States a hair is thrown to the winds with the stanza chanted:

"I pluck this lock of hair off my head
To tell whence comes the one I shall wed.
Fly, silken hair, fly all the world around,
Until you reach the spot where my true love is found."

The direction in which the hair floats is prophetic.

The taste in Hallowe'en festivities now is to study old traditions, and hold a Scotch party, using Burn's poem Hallowe'en as a guide; or to go a-souling as the English used. In short, no custom that was once honored at Hallowe'en is out of fashion now. "Cyniver" has been borrowed from Wales, and the "dumb-cake" from the Hebrides. In the Scotch custom of cabbage-stalk, if the stalk comes up easily, the husband or wife will be easy to win. The melted-lead test to show the occupation of the husband-to-be has been adopted in the United States. If the metal cools in round drops, the tester will never marry, or her husband will have no profession. White of egg is used in the same way. Like the Welsh test is that of filling the mouth with water, and walking round the house until one meets one's fate. An adaptation of the Scottish "three luggies" is the row of four dishes holding dirt, water, a ring, and a rag. The dirt means divorce, the water, a trip across the ocean, the ring, marriage, the rag, no marriage at all.

After the charms have been tried, fagots are passed about, and by the eerie light of burning salt and alcohol, ghost stories are told, each concluding his installment as his fagot withers into ashes. Sometimes the cabbage stalks used in the omens take the place of fagots.

To induce prophetic dreams salt, in quantities from a pinch to an egg full, is eaten before one goes to bed.

"'Miss Jeanette, that's such a fine trick! You must swallow a salt herring in three bites, bones and all, and not drink a drop till the apparition of your future spouse comes in the night to offer you a drink of water.'"

--ADAMS: Chrissie's Fate.

If, after taking three doses of salt two minutes apart, a girl goes to bed backward, lies on her right side, and does not move till morning, she is sure to have eventful dreams. Pills made of a hazelnut, a walnut, and nutmeg grated together and mixed with butter and sugar cause dreams: if of gold, the husband will be rich; if of noise, a tradesman; if of thunder and lightning, a traveler. As in Ireland bay-leaves on or under a man's pillow cause him to dream of his sweetheart. Also

"Turn your boots toward the street,
Leave your garters on your feet,
Put your stockings on your head,
You'll dream of the one you're going to wed."

Lemon-peel carried all day and rubbed on the bed-posts at night will cause an apparition to bring the dreaming girl two lemons. For quiet sleep and the fulfilment of any wish eat before going to bed on Hallowe'en a piece of dry bread.

A far more interesting development of the Hallowe'en idea than these innocent but colorless superstitions, is promised by the pageant at Fort Worth, Texas, on October thirty-first, 1916. In the masque and pageant of the afternoon four thousand school children took part. At night scenes from the pageant were staged on floats which passed along the streets. The subject was Preparedness for Peace, and comprised scenes from American history in which peace played an honorable part.

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.

 

Patchwork Merchant Mercenaries.

 

Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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