700 AD Chinese Invent Gunpowder-The Chinese combined saltpeter, sulpher, and carbon to create gun powder. The Chinese used gun powder primarily for fireworks.

Gunpowder, also called black powder, is a mixture of sulfur, charcoal, and potassium nitrate. Known in Chinese as "Huo Yao" (火药 simplified, 火藥 traditional), it is one of the Four Great Inventions of ancient China. It burns rapidly, producing volumes of hot solids and gases which can be used as a propellant in firearms and as a pyrotechnic composition in fireworks. The term gunpowder also refers broadly to any propellant powder. Modern firearms do not use the traditional gunpowder (black powder) described in this article, but instead use smokeless powder. Antique firearms or replicas of antique firearms are often used with black powder substitute.
Gunpowder is classified as a low explosive because of its relatively slow decomposition rate and consequently low brisance. Low explosives deflagrate at subsonic speeds. High explosives detonate, producing a supersonic wave. The gases produced by burning gunpowder generate enough pressure to propel a bullet, but not enough to destroy a gun barrel. This makes gunpowder less suitable for shattering rock or fortifications, where high explosives such as TNT are preferred.
Gunpowder is regarded as being invented, documented and used in China where the Chinese used gunpowder and bombs against the Mongols when they invaded on top of city fortifications. After Mongols conquered China and founded the Yuan Dynasty, they used the Chinese gunpowder technique in their invasion of Japan. Chinese also used gunpowder to fuel rockets. Instead it has been argued that, like the wheel, gunpowder was "coinvented" or "co-discovered" prior to, simultaneously or slightly after the Chinese, by cultures separated from the Chinese by vast distances, with minimal direct contact between one another.

A major problem compounding unbiased academic study is rapid access to original sources. Moreover, the major dilemma of accurate transliteration of original sources, especially of medieval Chinese texts, from then-understood metaphor and/or prose employed to describe (then) hitherto unexplained phenomena into contemporary languages with their well-established and rigidly defined terminology. The difficulty in transliteration lends itself readily to errors or latitude bordering on artistic licence in the interpretation .
Further compounding unbiased academic inquiry, are elements of national pride or cultural-religious pride, patriotism and bias which seek to correct perceived errors or former poor perceptions of nations or cultures in question. .

Saltpeter was known to the Chinese by the mid-1st century AD and there is strong evidence of the use of saltpetre and sulfur in various largely medicinal combinations. A Chinese alchemical text dated 492 AD noted saltpetre burnt with a purple flame, providing a practical and reliable means of distinguishing it from other inorganic salts, thus enabling alchemists to evaluate and compare purification techniques.
The first reference of gunpowder is possibly the passage of the Zhenyuan miaodao yaolüe, a Taoist text tentatively dated to the mid-800s CE
Some have heated together sulfur, realgar and saltpeter with honey; smoke and flames result, so that their hands and faces have been burnt, and even the whole house where they were working burned down.
By the 9th century Taoist monks or alchemists searching for an elixir of immortality had serendipitously stumbled upon gunpowder. The Chinese "Wu Ching Tsung Yao", written by Tseng Kung-Liang in 1044, provides encyclopedia references to a variety of mixtures which included petrochemicals, as well as garlic and honey. A slow match for flame throwing mechanisms using the siphon principal and for fireworks and rockets are mentioned. Academics argue the Chinese wasted little time in applying gunpowder to warfare, and they produced a variety of gunpowder weapons, including flamethrowers, rockets, bombs, and mines, before inventing guns as a projectile weapon.
The Arabs acquired knowledge of gunpowder some time after 1240 AD, but before 1280 AD, by which time Hasan al-Rammah had written, in Arabic, recipes for gunpowder, instructions for the purification of saltpeter, and descriptions of gunpowder incendiaries. However, because al-Rammah attributes his material to "his father and forefathers", al-Hassan () argues that gunpowder became prevalent in Syria and Egypt by "the end of the twelfth century or the beginning of the thirteenth".

Al-Hassan claims that in the Battle of Ain Jalut of 1260 AD, the Mamluks used against the Mongols in "the first cannon in history" gunpowder formulae with near identical ideal composition ratios for explosive gunpowder. However, Khan claims that it was invading Mongols who introduced gunpowder to the Islamic worldand cites Mamluk antagonism towards early riflemen in their infantry as an example of how gunpowder weapons were not always met with open acceptance in the Middle East. Similarly, the refusal of their Qizilbash forces to use firearms contributed to the Safavid rout at Chaldiran in 1514.
The earliest surviving documentary evidence for the use of the hand cannon, considered the oldest type of portable firearm and a forerunner of the handgun, are from several Arabic manuscripts dated to the 14th century. Al-Hassan argues that these are based on earlier originals and that they report hand-held cannons being used by the Mamluks at the Battle of Ain Jalut in 1260.
Hasan al-Rammah included 107 gunpowder recipes in his text al-Furusiyyah wa al-Manasib al-Harbiyya (The Book of Military Horsemanship and Ingenious War Devices), 22 of which are for rockets. If one takes the median of 17 of these 22 compositions for rockets (75% nitrates, 9.06% sulfur and 15.94% carbon), it is near identical with the modern reported ideal gunpowder recipe (75% potassium nitrate, 10% sulfur, and 15% carbon).
Mainland Europe
C. F. Temler interprets Peter, Bishop of Leon, as reporting the use of cannon in Seville in 1248 AD.
In Norwegian the Konungs skuggsjá of 1250 AD mentions in its military chapter, the use of two key ingredients: "coal and sulphur" as the best weapons for ship-to-ship combat.
Dated around 1257 AD, among the earliest extant written references to gunpowder in Europe, are Roger Bacon's texts Epistola, "De Secretis Operibus Artis et Naturae et de Nullitate Magiae," dated variously between 1248 and 1257, he states:
We can, with saltpeter and other substances, compose artificially a fire that can be launched over long distances... By only using a very small quantity of this material much light can be created accompanied by a horrible fracas. It is possible with it to destroy a town or an army ... In order to produce this artificial lightning and thunder it is necessary to take saltpeter, sulfur, and Luru Vopo Vir Can Utriet.
The last part has been interpreted as an elaborate coded anagram for the quantities needed, but other academics holding contrary viewpoints argue this may be erroneous transcription of a passage read with much difficulty.
In the Opus Maior of 1267 AD, Bacon describes firecrackers:
a child’s toy of sound and fire and explosion made in various parts of the world with powder of saltpeter, sulfur and charcoal of hazelwood
The Liber Ignium, or Book of Fires, attributed to Marcus Graecus, is a collection of incendiary recipes, including some gunpowder recipes. Partington dates the gunpowder recipes to approximately 1300. One recipe for "flying fire" (ingis volatilis) involves saltpeter, sulfur, and colophonium, which, when inserted into a reed or hollow wood, "flies away suddenly and burns up everything." Another recipe, for artificial "thunder", specifies a mixture of one pound native sulfur, two pounds linden or willow charcoal, and six pounds of saltpeter. Another specifies a 1:3:9 ratio.
Some of the gunpowder recipes of De Mirabilibus Mundi of Albertus Magnus are identical to the recipes of the Liber Ignium, and according to Partington, "may have been taken from that work, rather than conversely." Partington suggests that some of the book may have been compiled by Albert's students, "but since it is found in thirteenth century manuscripts, it may well be by Albert." Albertus Magnus died in 1280 AD.
A common German folk-tale is of the German priest/monk named Berthold Schwarz who independently invented gunpowder, thus earning it the German name Schwarzpulver or in English Schwarz's powder. Schwarz is also German for black so this folk-tale, while likely containing elements of truth, is considered problematic.
The major and uniquely European advancement of gunpowder was corning: the addition of liquid to the gunpowder to form regular larger sized grains which greatly increased the reliability and consistency of gunpowder. This occurred around the late 1400's AD, as European powdermakers began adding liquid to gunpowder to reduce dust and with it the risk of dust explosion. The powdermakers would then shape the resulting paste of moistened gunpowder—known as mill cake—into "corns," or granules, to dry.
The new "corned" powder remained potent and more reliable to store as it was far less hygroscopic than the prior powder (due to net reduced surface area). Gunners also found it was more powerful and easier to load measures of it into guns. The main advantage of corning is that the combustion flame spreads evenly between the grains, thus igniting all grains before significant gas expansion (when the gunpowder actually "explodes"). Gunpowder not corned results in much unburnt powder blown away from the ignition flame and combustion chamber due to localized miniature gas expansions within the powder.
Europeans innovated by experimentation and discovering different granule sizes combusted at differing rates, and thus were more suitable for one gun or for another. Otto notes that without corning, gunpowder like all dry mixtures, has a tendency to gradually demix back into its original components and thus too unreliable for effective use in guns as mixtures would not be of uniform composition, noting the use of corning technique is commonplace in the modern pharmaceutical industry to ensure uniform proportions of active ingredients for each tablet.
Shot and gunpowder for military purposes were made by skilled military tradesmen, later called firemakers, and were also required to craft fireworks for celebrations of victory or peace. During the Renaissance, two European schools of pyrotechnic thought emerged, one in Italy and the other at Nürnberg, Germany. The Italian school of pyrotechnics emphasized elaborate fireworks, and the German school stressed scientific advancement. Both schools added significantly to further development of pyrotechnics, and by the mid-17th century fireworks were used for entertainment on an unprecedented scale in Europe, being popular even at resorts and public gardens.
By 1788, as a result of the reforms for which Lavoisier was mainly responsible, France had become self-sufficient in saltpeter, and its gunpowder had become not only widely considered the best in Europe but more importantly, inexpensive.
The introduction of smokeless powder in the late 19th century led to the terminal contraction of the gunpowder industry.
British Isles
Gunpowder production in England appears to have started in the mid 13th century AD with the aim of supplying The Crown.[44] Records show that gunpowder was being made, in England, in 1346, at the Tower of London; a powder house existed at the Tower in 1461; and in 1515 three King's gunpowder makers worked there. Gunpowder was also being made or stored at other Royal castles, such as Portchester Castle.
By the early fourteenth century, according to N.J.G. Pounds's study The Medieval Castle in England and Wales, many English castles had been deserted and others were crumbling. Their military significance faded except on the borders. Gunpowder made smaller castles useless.
Henry VIII of England was short of gunpowder when he invaded France in 1544 AD and England needed to import gunpowder via the port of Antwerp.
The English Civil War, 1642-1645 AD, led to an expansion of the gunpowder industry, with the repeal of the Royal Patent in August 1641.
The introduction of smokeless powder in the late 19th century led to a contraction of the gunpowder industry. After the end of World War I, the majority of the United Kingdom gunpowder manufacturers merged into a single company, "Explosives Trades limited"; and number of sites were closed down, including those in Ireland. This company became Nobel Industries Limited; and in 1926 became a founding member of Imperial Chemical Industries. The Home Office removed gunpowder from its list of Permitted Explosives; and shortly afterwards, on 31 December 1931, the former Curtis & Harvey's Glynneath gunpowder factory at Pontneddfechan, in Wales, closed down, and it was demolished by fire in 1932.
The last remaining gunpowder mill at the Royal Gunpowder Factory, Waltham Abbey was damaged by a German parachute mine in 1941 and it never reopened. This was followed by the closure of the gunpowder section at the Royal Ordnance Factory, ROF Chorley, the section was closed and demolished at the end of World War II; and ICI Nobel's Roslin gunpowder factory which closed in 1954.
This left the sole United Kingdom gunpowder factory at ICI Nobel's Ardeer site in Scotland; it too closed in October 1976. Since then gunpowder has been imported into the United Kingdom. In the late 1970s / early 1980s gunpowder was bought from eastern Europe, particularly from what was then the East Germany and former Yugoslavia.
India
Gunpowder had arrived in India by the mid-1300s, perhaps introduced by the Mongols as early as the mid-1200s.
It was written in the Tarikh-i Firishta (1606-1607) that the envoy of the Mongol ruler Hulegu Khan was presented with a dazzling pyrotechnics display upon his arrival in Delhi in 1258 CE. Firearms known as top-o-tufak also existed in the Vijayanagara Empire of India by as early as 1366 AD. From then on the employment of gunpowder warfare in India was prevalent, with events such as the siege of Belgaum in 1473 AD by Sultan Muhammad Shah Bahmani.
By the 16th century, Indians were manufacturing a diverse variety of firearms; large guns in particular, became visible in Tanjore, Dacca, Bijapur and Murshidabad. Guns made of bronze were recovered from Calicut (1504 AD) and Diu (1533 AD). Gujarāt supplied Europe saltpeter for use in gunpowder warfare during the 17th century. Bengal and Mālwa participated in saltpeter production. The Dutch, French, Portuguese, and English used Chāpra as a center of saltpeter refining.
War rockets, mines and counter mines using gunpowder were used in India by the time of Akbar and Jahangir. Fathullah Shirazi (c. 1582), a Persian-Indian polymath and mechanical engineer who worked for Akbar the Great in the Mughal Empire, invented an autocannon, early multi-shot gun. As opposed to the polybolos and repeating crossbows used earlier in ancient Greece and China, respectively, Shirazi's rapid-firing gun had multiple gun barrels that fired hand cannons loaded with gunpowder.
Both Hyder Ali and his son Tippu Sultan used black powder technology in iron-cased war rockets with considerable effect against the British, which inspired the development of the Congreve rocket.
Indonesia
The Javanese Majapahit Empire is argued to have grown to span most of modern day ASEAN due to its' Javanese mastery of bronze-smithing and unique within the immediate region to the Majapahit court, the technology and mass manufacture (via cottage industries which contributed to a central arsenal). Documentary and archeological evidence indicate that Arab or Indian traders introduced gunpowder, gonnes, muskets, blunderbusses and cannon to the Javanese, Acehnese and Batak via long established commercial trade routes around the early to mid 1300's CE. Early European aggressors of Portugal and Spain were unpleasantly surprised and outgunned on many occasions. The resurgent Singhasari Empire overtook Sriwijaya and later emerged as the Majapahit who rigidly established fire-arms and cannonade as a feature of warfare.
Circa 1540 CE the Javanese always alert for new weapons found the newly arrived Portuguese weaponry superior to that of the locally made variants. The Javanese bronze breech-loaded swivel-gun, erroneously termed the lantaka, more correctly known as a meriam was used ubiquitously by the Majapahit navy and unfortunately pirates and rival lords. The demise of the Majapahit empire and the flight of disaffected skilled bronze cannon-smiths to Brunei, modern Sumatra and Malaysia and the Philippines lead to near universal use of the swivel-gun, especially on trade vessels to protect against prevalent marauding pirates, especially in the Makassar Strait.
A Chinese pirate or commercial ship wreck site unearthed a double-ended swivel gun, which enabled rapid firing- one barrel would fire while its' opposite would be reloaded- though this is a rare and unique piece. Other archeological finds have unearthed some triple-barrel and some double-barrel swivel-guns, which were not widely duplicated.
The saltpetre harvesting was recorded by Dutch and German travelers as being common to even the smallest villages and collected from the decomposition process of large goat dung hills specifically piled for collection this saltpetre, a most unpleasant job. Saltpetre must be remembered by today's reader as being a key food preservative agent in a period of no refrigeration.
The Dutch punishment for possession of unpermitted gunpowder appears to have been amputation. Ownership and manufacture of gunpowder was later prohibited by the colonial Dutch occupiers. Sir Thomas Stamford Raffles, from his The History of Java relates the process of powder manufacture, perhaps of noteworthy relevance considering at the time it was a military-related craft and not always recorded:
the best sulphur is supplied from a crater from a mountain near the straits of Bali...in caverns in irregularly formed beds of earth, which being impregnated with the native nitre, saturated with the evacuation of the enumerous bats that haunt these caves is mixed with a compound of wood ashes, supplies the liquid that is boiled in large kettles and afterward left to cool and crystallize.

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.

 

Patchwork Merchant Mercenaries.

 

Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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