Witches of Cornwall Volume 61 Number 6, November/December 2008 by Kate Ravilious

Macabre evidence of age-old spells surfaces in an archaeologist's front yard


Archaeologist Jacqui Wood holds a fragment of a cauldron unearthed from a buried spring-fed pool near her home. This and other artifacts she has found point to a long history of ritual and witchcraft. (Manuel Cohen)

Over the centuries, many in the British Isles have appealed to witches in times of need--to cure a toothache, concoct a love potion, or curse a neighbor. Witchcraft, the rituals of a number of pagan belief systems, was thought to offer control of the world through rites and incantations. Common as it has been over the past several centuries, the practice is secretive and there are few written records. It tends to be passed down through families and never revealed to outsiders. But archaeologist Jacqui Wood has unearthed evidence of more than 40 witchy rituals beneath her own front yard, bringing to light an unknown branch of witchcraft possibly still practiced today.

Wood's home is in the hamlet of Saveock Water in Cornwall, a county tucked in the far southwest corner of the country. For thousands of years people have raised crops and livestock in its fertile valleys, and its coastline of dramatic cliffs, secluded coves, and pounding surf was once a haunt for smugglers. Cornwall is a place time forgot; steeped in folklore, myth, and legend; and purported to be inhabited by pixies, fairies, and elves. So it should come as no surprise that it has also been home to the dark arts.

When I visit Saveock Water it is raining, which adds to its unearthly atmosphere. Wood, a warm lady with sparkling hazel eyes, greets me in her cozy white-washed barn while rain hammers on the roof. She moved to Saveock Water 15 years ago because it was an ideal location for her work in experimental archaeology, replicating ancient techniques, including those used in farming or metallurgy. Since then she has carried out her experiments, such as growing ancient crop varieties, unaware of what lay under her fields. In the late 1990s, Wood decided to do some metalwork research by re-creating an ancient kind of furnace. "I dug down into the ground to construct a shelter close to the furnace and I discovered a clay floor," she says.

Wood was excited but busy with other projects and left the find undisturbed for a few years. In 2001, she gathered some archaeology students to explore it further. "It was a nightmare to dig because the field is covered in a soft rush grass with a dense web of roots, and the soil is heavy and laden with water," says Wood.


While digging a hole for another project, Wood discovered a late Mesolithic clay platform in her field. She found that small pits had been dug into the platform at a later date, and contained bizarre collections of items including swan skins, pebbles, and bird claws. (Manuel Cohen)

As the group peeled off layers of turf, they discovered the clay floor was an extensive man-made platform--probably a foundation for a group of ancient dwellings. During a break in the rain, Wood takes me out to have a look. What used to be a half-acre marshy field is now a slippery clay surface, covered with small plastic crates protecting finds. Based on flint fragments embedded in the clay, a Danish specialist dated the site to the late Mesolithic, around 8,500 years ago.

But as Wood and her team excavated the platform over the next few seasons, unusual features began to emerge. They came across strange rectangular holes, about 15 by 10 inches, in the clay. "At first we thought they must be postholes or something," says Wood. But the first of the holes, about 6 inches deep, was lined with white feathers. The pits cut through the clay platform, so Wood knew that they had to date to a later time, but only an expensive radiocarbon test could pin it down. "We guessed it might have been a bird-plucking pit, a common farming practice at the turn of the 19th century," says Wood.

But that couldn't be the case--Wood found that the feathers were still attached to the skin, which had been laid in the pit with the feathers facing inward. A bird expert from the local zoo confirmed they came from a swan. On top of the swan skin, Wood found a pile of pebbles and a number of claws from different birds. She later learned that the stones came from a coastal region 15 miles away, though no one knows why they were brought from so far. Someone had gone to considerable trouble to gather the contents of this pit. That season, Wood and her colleagues found eight pits, two of which contained odd collections of bird parts, and six of which had been emptied, but with a few telltale feathers and stones left behind.

"Over the last 30 years I've been quick to dismiss ritual as an explanation for unusual archaeological finds," says Wood. "It usually means that the archaeologists can't think of anything better. So now it seems especially ironic that I end up with a site absolutely full of ritual."

More unusual finds came in 2005. Sandwiched between two of the rectangular pits was a round pit with a swan-feather lining. On top of the swan feathers nestled 55 eggs, seven of which contained chicks that would have been close to hatching. The shells of the eggs had dissolved, but the moist environment had preserved their membranes. Remains of magpies--birds associated with luck and superstition even today--had been placed on each side of the eggs.

[image] [image]
Many of the ritual pits Wood and her colleagues unearthed, which date from the 17th century to just decades ago, contained eggs. The shells have dissolved, but the membranes remain, as do feathers of chicks that were close to hatching. (Manuel Cohen)

By that time Wood was convinced that only witchcraft could explain her unusual finds, but no one had ever heard of anything like this. Radiocarbon tests revealed the swan skins dated to around A.D. 1640, the time of civil war in England and a very dangerous period to be practicing witchcraft. "Any sort of pagan worship was classified as witchcraft at that time, and punishable by death," says Wood. "If caught, they would have been burned at the stake." To make things worse, swans were royal symbols and property of the crown, so killing a swan was doubly risky.

Witch trials were common during the 16th and 17th centuries, and sometimes a few whispers were enough to see someone hanged. "During the 1650s more than 25 people were sent to Launceston Gaol [prison], in Cornwall, after a woman was accused by her neighbors of being a witch. She promptly implicated others in her alleged practice of the dark arts, some of whom were executed," says Jason Semmens, assistant curator at the Horsham Museum in Sussex and an expert on witchcraft in Cornwall during the 17th century.

And yet witchcraft remained popular, says Marion Gibson of Exeter University, a specialist on 16th- and 17th-century paganism. "Every village would have had people thought to be skilled in magic in one way or another and people in the area would go to them for their specialist services, just as we might go to a lawyer or plumber today."

Wood leads me to one of the pits and pulls the plastic lid off. I get a sense of the shock she must have felt when she found them. Swan feathers line the pit and muddy, wrinkled egg membranes sit on top. A shiver runs down my spine as I imagine someone coming here in the dead of night, digging a hole, and carefully placing these offerings in it. What made them desperate enough to risk death if caught?

[image] [image]
Two spring-fed pools on Wood's land were places of ritual offering. Visitors seeking good fortune deposited everything from scraps of cloth, to straightpins, hair, heather branches, and nail clippings. (Manuel Cohen)

One explanation is that some of the pits contained offerings to St. Bridget (or Bride) of Ireland, the patron saint of babies and infants, who may be associated with the pagan goddess Brigid. "My theory is that maybe if you got married and didn't become pregnant in the first year, you might make an offering to St. Bride in a feather pit," says Wood. Women who then became pregnant might have had to empty their pits and burn the contents, she postulates.

Wood and her colleagues had further spooky discoveries ahead. Not far from the three pits, they uncovered the remains of a spring-fed pool, carefully lined with white quartz, and containing 128 textile scraps, six medieval straight pins, shoe parts, heather branches (associated with luck), fingernail clippings, human hair, and--it doesn't get more witch-like--part of a cauldron.

"Two of the pieces of fabric contained wool and silk, indicating they originally belonged to someone of high status," says Wood. Others were coarser and may have come from those of lower status. Looking at the textile fragments stored in little plastic boxes in Wood's barn, it is hard to believe they are 350 years old--the vivid blues, golden yellows, and vibrant greens were preserved by the moist environment.

Further excavation uncovered a stone-lined drain and a second pool that only fills in winter. Wood realized that the pools were much older than their contents, and that this site may have been special to people for thousands of years. Based on stratigraphic evidence, she believes the quartz-lined pools are 6,000 years old. "The white quartz would have made the pools glow in the moonlight, and we think they may have been very special, a place of ritual for people in those times," she speculates.

If the pools do date back that far, they retained their sacred status throughout the ages, as by the 17th century people were using them as a place of offering, throwing in personal fragments (such as fabric and hair) for good fortune. However, the practice stopped in the late 17th century, when the crown paid locals to fill in the pools (along with other "holy" wells in Cornwall) to prevent pagan rituals.

Now that Wood has rediscovered the pools and word of them has spread, they have again become a special site for those of mystical inclination. While I chat with Wood in her barn, a homeopath, a practitioner of alternative medicine, arrives to collect water from the spring. He believes it has unique properties and comes every day to collect his family's drinking water.

Experts are baffled by the finds. The closest similar example of witchcraft is the witch-bottle, popular during the 17th century. "You could retaliate against someone who bewitched you by placing some of your own urine, hair, and nail clippings into a bottle and burying it. As the contents decayed, so would the witch, and her curse would suffer and be lifted," explains Semmens.

Present-day witches, shamans, and druids have taken interest in the site, and visit to offer their explanations for Wood's discoveries. Mike Slater, a witch from a pagan community in Bristol, thinks the pits and pool offerings have an amorous motive. "It has long been known that swans pair for life. Also nail parings and hair are commonly used in love spells," he says.

Wood's 2008 field season brought more unusual discoveries. "We have been uncovering some extraordinary animal pits," says Wood. One was lined with the skin of a black cat and contained 22 eggs, all with chicks close to hatching, in addition to cat claws, teeth, and whiskers. Another held a dog skin, dog teeth, and a baked pig jaw. The week prior to my arrival, Wood's students uncovered a pit that contained a mysterious seven-inch iron disk with a swan skin on one side and animal fur on the other. The biggest shock of all came from the radiocarbon dates for these pits. The cat pit dated to the 18th century, while the dog pit dated to the 1950s. "And I doubt it just suddenly stopped in the 1950s," says Wood. "It is plausible that it could still be continuing now."

It is not clear whether the pits were the work of a single family or a countrywide guild of witches. One lead came from a conversation between a member of Wood's excavation team and some locals in a pub. They recalled that there was a family, the Burnetts, reputed to be witches, that lived near Wood's house. Two sisters resided there until the 1980s, so it is possible the dog pit could have been their work. Today a relative of the Burnett sisters is still there, but Wood--for whatever reason--hasn't yet plucked up the courage to visit.

Kate Ravilious is a science writer based in York, England.

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.


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Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

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Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

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After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

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