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A Piggin of Fig Sue
The posset recipe below was probably given to the courtier and alchemist Sir Kenelm Digby by Charles Howard, the 1st Earl of Carlisle. After his death, Digby's son allowed the publication of his father's collection of recipes. As well as a number of other posset recipes, this book also includes some directions for making syllabubs.
My Lord of Carlisle's Sack-Posset |
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Take a pottle of Cream, and boil in it a little whole Cinnamon, and three or four flakes of Mace. To this proportion of Cream put in eighteen yolks of eggs, and eight of the whites; a pint of Sack; beat your eggs very well, and then mingle them with your Sack. Put in three quarters of a pound of Sugar into the Wine and Eggs, with a Nutmeg grated, and a little beaten Cinnamon; set the Bason on the fire with the Wine and Eggs, and let it be hot. Then put in the Cream boiling from the fire, pour it on high, but stir it not; cover it with a dish, and when it is settlede, strew on the top a little fine Sugar mingled with three grains of Ambergreece, and one grain of Musk, and serve it up. From Sir Kenelm Digby The Closet (London: 1671) |
Posset Historical Notes |
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In order to keep the posset warm while it was setting, some housewives put the pot close to the fire. Others put it between two cushions. Noblemen like Charles Howard liked their possets to be made with sack. They even perfumed them with musk and ambergris. Poorer people made possets with ale and thickened them with bread - a bread thickened posset of this kind survived into the 1950s in the English Lake District - it was called fig sue. Until the early nineteenth century, possets were the celebration toast at weddings at all levels of society. The only surviving modern relic of this custom is the whisky and cream flavoured 'bridal cog' still served at Orkney weddings. Sir Kenelm Digby |
Pouring the hot cream into the sack to make My Lord of Carlisle's Posset, one of Sir Kenelm Digby's posset recipes from his postumously published book, The Closet of the Eminently Learned Kenelm Digby Knight (London: 1670)
The 'grace' or foam on top of the posset was eaten with a spoon. The strong alcoholic liquid below was sucked through the spout. At weddings a wedding ring was sometimes thrown into the posset. It was thought that the person who fished it out would be the next to go to the altar.
A well made posset was said to have three different layers. The uppermost, known as 'the grace' was a snowy foam or aereated crust. In the middle was a smooth spicy custard and at the bottom a pungent alcoholic liquid. The grace and the custard were enthusiastically consumed as 'spoonmeat' and the sack-rich liquid below drunk through the 'pipe' or spout of the posset pot.
Fig Sue was a bread posset once served on Good Friday in some parts of the English Lake District. It was made with ale, bread, figs, treacle and nutmeg. The figs were meant to represent the crucifix, which was traditionally thought to have been made with the wood of a fig tree. Fig sue was traditionally served from a 'piggin' or 'bicker', the staved oak vessel in the photograph. It is of interest that this container was known as a 'cog' in Scotland, giving the name to the whisky posset called the bridal cog, still served at Orkney weddings. The cog is passed round the company rather like the old posset pots used to be in the seventeenth and eighteenth centuries.
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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.
Patchwork Merchant Mercenaries.
Vendertainers that brought many things to a show and are know for helping out where ever they can.
As well as being a place where the older hand made items could be found made by them and enjoyed by all.
We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.
Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.
Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.
Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"
A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?
After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...
Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.
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