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Bombe moulds were also made in copper and were provided with a screw to allow the vacuum inside the mould to be dispelled, making the ice easier to demould. Those illustrated above are from a Herbert Benham catalogue and show the great variety of bombe shapes that started to evolve from the shell-type mould. The shape on the extreme right is a 'pipe lid' that enabled a bombe to be made with a hollow centre which could be filled with another flavoured ice. Move your mouse over the old print to see the actual moulds. Click to see how a pipe lid was actually used to create a spectacular bombe ice.
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Above: an Alexandretta Bombe surrounded by its garnishing ices. The large cream bombe was flavoured with orangeflower water and coconut, while the garnishing ices were made with apple water ice. Below: ices in the form of anarchist's bombs or grenades were popular in the later nineteenth century. The flames were usually made with spun sugar. The illustrations below and to the left are of the moulds used to make these Victorian joke items.. |
Victorian Neapolitan Ices
Above: A Fancy Neapolitan Ice layered with strawberry, pistachio and vanilla ices. The roses are made from redcurrant water ice. Water ices are better than ice creams for picking out fine detail on ice moulds of this kind. Plain Neapolitan brick moulds were often made of tin and survived well into the twentieth century. When they were cut into slices, the colours were said to represent the Italian Flag, but since many different flavours were used, this could be just one of the usual food history myths. |
The Ice Cream Pail or Seau à glace
A French porcelain ice cream pail used for keeping ices cool for serving at table. This one was manufactured in Angouleme c.1790. The ice cream is put in a liner inside the pail which is surrounded above and below with ice. |
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Porcelain was the ideal material for making ice cream pails because it is impervious to salt. There is at least one surviving French seau à glace made in tin glazed earthernware, a very unsuitable material as the salt would find its way through the crazing on the glaze and cause it to flake off. |
The first record of ice cream in this country is from 1671. It was on the menu of a feast for the Knights of the Garter held in St. George's Hall at Windsor Castle. However, at this time it was such an exclusive dish that it appeared only on the king's table. The earliest printed recipe appeared in Mrs. Eale's Receipts, a little work on confectionery published in London in 1718. Mrs Eales claimed to have been confectioner to Queen Anne, during whose reign ice cream continued to be a luxury enjoyed only at court and by the nobility. It was not until the second half of the 18th century that ices become more widely available from confectioners' shops.
A set of Sèvres tasses à glace arranged on a plateau au bouret (1766). The ices were made by Ivan from recipes in Emy's L 'Art de Bien Faire Les Glaces d 'Office (1768). The red ices are glace de épine-vinette (barberry), the green - neige de pistachio (pistachio) and the brown - glace au pain de seigle (rye bread ice).
The pewter freezing pot or sabotiere and the ice spaddle or houlette, were both probably invented in Naples during the seventeenth century. The sabotiere was put in a wooden bucket containing a mixture of ice and salt. The mixture to be frozen was poured into the sabotiere and in Borella's own words you had to then, "detach with a pewter spoon, all the flakes which stick to the sides, in order to make it congeal equally all over in the pot. Then you must work them well as much as you are able, for they are so much the more mellow as they are well worked: and their delicacy depends entirely upon that ".
An eighteenth century sabotiere (more correctly sorbetière) from Joseph Gillier's book on confectionery Le Cannameliste Français (Nancy: 1750). Click to find out more about our course on ices.
The confectionery shops of the eighteenth century were rather like modern ice cream parlours. It was possible to sit down and enjoy an ice fresh from the freezing pot, or to order a larger quantity to take away for an important dinner or ball supper. Although these shops could only be found in towns and cities, ice creams were also made in large country houses where ice was available from an ice house in the grounds. The cook and housekeeper Mary Smith, who worked for Sir William Blackett at Wollaton Hall in Northumberland offers some good recipes in her book The Complete Housekeeper & Cook (Newcastle 1770), demonstrating that ices were known well away from the capital.
A group of putti making and serving ices in the French manner. Note the plateau au bouret with its tasses à glace. From Emy's L 'Art de Bien Faire Les Glaces d 'Office.
Another putto with a plateau bouret. The foot of the plateau enabled it to be held without any fear of warmth melting the ices.
The Georgian confectioner G.A. Jarrin, whose book contains the earliest recipe for an ice bombe.
A pewter bombe mould. This shape was probably derived from the sorbetiere.
Jarrin's bomba ice was frozen in a standard pewter sorbetiere and would have resembled an artillery shell, or bomb, of the kind used in the Napoleonic Wars. Pewter bombe moulds with a closer resemblance to a shell, than the straight sided sorbetiere, started to emerge from the pewterers during the course of the nineteenth century.
Borella's muscadine ice survived into the nineteenth century. Here it is made in a round bombe mould with a cherry fruit top. This is a cross between a grenade type mould and a melon mould. Click it to find out more about bombe ices.
Cherry topped bombes in the form of large melons were popular at this period. That above is from Frederick Vine's Ices Plain and Decorated published at the beginning of the 20th century. The new social conditions with arose after the Great War brought about the gradual demise of fancy ices of this kind, though they continued to be popular in the United States for another 40 years or so.
Neapolitan Ices were made in brick shaped moulds and layered with different coloured ice creams. A popular and more fancy variation was a Neapolitan mould topped with three roses, a decorative ice commonly served in the 1889s and 90s. Hold your mouse over the old print above to see a pewter mould of this type.
Moulded ices had became so popular by the 1830s that they brought about the extinction of a fascinating piece of equipment used for serving ices at table in unmoulded form. This was the ice cream pail or seau à glace, a three or four part porcelain or glass pot which first came into use in the 1720s.
ICE CREAM PAILS
The ice cream pail seems to have been inspired by the daubiere or braizing pan, a ccoking pot with a deep lid that could be filled with hot coals. This pan was similar to what today is called a Dutch Oven in the US.
This drawing made for the Leeds Pottery shows the anatomy of an ice cream pail, with its hidden liner. The photograph opposite shows the liner filled with the ice cream. If ice alone is used to fill both the lid and the bucket, the ice cream melts very quickly. Although there is nothing recorded in the literature, it is almost certain that a little salt was sprinkled on the ice, which improves the refrigerant effect. Experimentation has shown that ice cream will remain in a frozen state in a seau à glace for up to four hours if salt is added to ice in both compartments. A small amount of ice eventually forms on the outside of the pail, which usually will cause condensation and possible adhesion to the table cloth. It is likely that these pails would have been placed on a plate or stand. Later designs often had feet to prevent them from freezing to the table. These fascinating objects were rarely made after 1830.
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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.
Patchwork Merchant Mercenaries.
Vendertainers that brought many things to a show and are know for helping out where ever they can.
As well as being a place where the older hand made items could be found made by them and enjoyed by all.
We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.
Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.
Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.
Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"
A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?
After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...
Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.
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