Linking your favorite traveling artists across the globe
There are four different types of artillery projectiles which, in one form or another, have been used since very early times: |
||||||||
|
||||||||
At Havana, Cuba, in the early days, there was an abundance of round stones lying around, put there by Mother Nature. Artillerists at Havana never lacked projectiles. Stone balls, cheap to manufacture, relatively light and therefore well suited to the feeble construction of early ordnance, were in general use for large caliber cannon in the fourteenth century. There were experiments along other lines such as those at Tournay in the 1330's with long, pointed projectiles. Lead-coated stones were fairly popular, and solid lead balls were used in some small pieces, but the stone ball was more or less standard.Cast-iron shot had been introduced by 1400, and, with the improvement of cannon during that century, iron shot gradually replaced stone. By the end of the 1500's stone survived for use only in the pedreros, murtherers, and other relics of the earlier period. Iron shot for the smoothbore was a solid, round shot, cast in fairly accurate molds; the mold marks that invariably show on all cannonballs were of small importance, for the ball did not fit the bore tightly. After casting, shot were checked with a ring gauge (fig. 41)—a hoop through which each ball had to pass. The Spanish term for this tool is very descriptive: pasabala, "ball-passer."Shot was used mainly in the flat-trajectory cannon. The small caliber guns fired nothing but shot, for small sizes of the other type projectiles were not effective. Shot was the prescription when the situation called for "great accuracy, at very long range," and penetration. Fired at ships, a shot was capable of breaching the planks (at 100-yard range a 24-pounder shot would penetrate 4-1/2 feet of "sound and hard" oak). With a fair aim at the waterline, a gunner could sink or seriously damage a vessel with a few rounds. On ironclad targets like the Monitor and Virginia (Merrimack), however, round shot did little more than bounce; it took the long, armor-piercing rifle projectile to force the development of the tremendously thick plate of modern times.
|
Tags:
The eighteenth century fuze was a wooden tube several inches long, with a powder composition tamped into its hole much like the nineteenth century fuze (fig. 42c). The hole was only a quarter of an inch in diameter, but the head of the fuze was hollowed out like a cup, and "mealed" (fine) powder, moistened with "spirits of wine" (alcohol), was pressed into the hollow to make a larger igniting surface. To time the fuze, a cannoneer cut the cylinder at the proper length with his fuze-saw, or drilled a small hole (G) where the fire could flash out at the right time. Some English fuzes at this period were also made by drawing two strands of a quickmatch into the hole, instead of filling it with powder composition. The ends of the match were crossed into a sort of rosette at the head of the fuze. Paper caps to protect the powder composition covered the heads of these fuzes and had to be removed before the shell was put into the gun.
|
When one of our progenitors wrathfully seized a handful of pebbles and flung them at the flock of birds in his garden, he discovered the principle of the scatter projectile. Perhaps its simplest application was in the stone mortar (fig. 43). For this weapon, round stones about the size of a man's fist (and, by 1750, hand grenades) were dumped into a two-handled basket and let down into the bore. This primitive charge was used at close range against personnel in a fortification, where the effect of the descending projectiles would be uncommonly like a short but severe barrage of over-sized hailstones. There were 6,000 stones in the ammunition inventory for Castillo de San Marcos in 1707.
|
Incendiary missiles, such as buckets or barrels filled with a fiercely burning composition, had been used from earliest times, long before cannon. These crude incendiaries survived through the 1700's as, for instance, the flaming cargoes of fire ships that were sent amidst the enemy fleet. But in the year 1672 there appeared an iron shell called a carcass (fig. 41), filled with pitch and other materials that burned at intense heat for about 8 minutes. The flame escaped through vents, three to five in number, around the fuze hole of the shell. The carcass was standard ammunition until smoothbores went out of use. The United States ordnance manual of 1861 lists carcasses for 12-, 18-, 24-, 32-, and 42-pounder guns as well as 8-, 10-, and 13-inch mortars.During the late 1500's, the heating of iron cannon balls to serve as incendiaries was suggested, but not for another 200 years was the idea successfully carried out. Hot shot was nothing but round shot, heated to a red glow over a grate or in a furnace. It was fired from cannon at such inflammable targets as wooden ships or powder magazines. During the siege of Gibraltar in 1782, the British fired and destroyed a part of Spain's fleet with hot shot; and in United States seacoast forts shot furnaces were standard equipment during the first half of the 1800's. The little shot furnace at Castillo de San Marcos National Monument was built during the 1840's; a giant furnace of the mid-1860's still remains at Fort Jefferson National Monument.Loading hot shot was not particularly dangerous. After the powder charge was in the gun with a dry wad in front of it, another wad of wet straw, or clay, was put into the barrel. When the cherry-red shot was rammed home, the wet wad prevented a premature explosion of the charge. According to the Ordnance Manual, the shot could cool in the gun without setting off the charge! Hot shot was superseded, about 1850, by Martin's shell, filled with molten iron.The smoke shell appeared in 1681, but was never extensively used. Similarly, a form of gas projectile, called a "stink shell," was invented by a Confederate officer during the Civil War. Because of its "inhumanity," and probably because it was not thought valuable enough to offset its propaganda value to the enemy, it was not popular. These were the beginnings of the modem chemical shells.In connection with chemical warfare, it is of interest to review the Hussite siege of Castle Karlstein, near Prague, in the first quarter of the fifteenth century. The Hussites emplaced 46 small cannon, 5 large cannon, and 5 catapults. The big guns would shoot once or twice a day, and the little ones from six to a dozen rounds.Marble pillars from Prague churches furnished the cannonballs. Many projectiles for the catapults, however, were rotting carcasses and other filth, hurled over the castle walls to cause disease and break the morale of the besieged. But the intrepid defenders neutralized these "chemical bursts" with lime and arsenic. After firing 10,930 cannonballs, 932 stone fragments, 13 fire barrels, and 1,822 tons of filth, the Hussites gave up. |
In early days, due partly to the roughly made balls, wads were very important as a means of confining the powder and increasing its efficiency. Wads could be made of almost any suitable material at hand, but perhaps straw or hay ones were most common. The hay was first twisted into a 1-inch rope, then a length of the rope was folded together several times and finally rolled up into a short cylinder, a little larger than the bore. After the handier sabots came into use, however, wads were needed only to keep the ball from rolling out when the muzzle was down, or for hot shot firing.Gunners early began to consolidate ammunition for easier and quicker loading. For instance, after the powder charge was placed in a bag, the next logical step was to attach the wad and the cannonball to it, so that loading could be made in one simple operation—pushing the single round into the bore (fig. 48). Toward that end, the sabot or "shoe" (fig. 41) took the place of the wad. The sabot was a wooden disk about the same diameter as the shot. It was secured to the ball with a pair of metal straps to make "semi-fixed" ammunition; then, if the neck of the powder bag were tied around the sabot, the result was one cartridge, containing powder, sabot, and ball, called "fixed" ammunition. Fixed ammunition was usual for the lighter field pieces by the end of the 1700's, while the bigger guns used "semi-fixed."In transportation, cartridges were protected by cylinders and caps of strong paper. Sabots were sometimes made of paper, too, or of compressed wood chips, to eliminate the danger of a heavy, unbroken sabot falling amongst friendly troops. A big mortar sabot was a lethal projectile in itself! |
Today's rocket projectiles are not exactly new inventions. About the time of artillery's beginning, the military fireworker came into the business of providing pyrotechnic engines of war; later, his job included the spectacular fireworks that were set off in celebration of victory or peace.Artillery manuals of very early date include chapters on the manufacture and use of fireworks. But in making war rockets there was no marked progress until the late eighteenth century. About 1780, the British Army in India watched the Orientals use them; and within the next quarter century William Congreve, who set about the task of producing a rocket that would carry an incendiary or explosive charge as far as 2 miles, had achieved such promising results that English boats fired rocket salvos against Boulogne in 1806. The British Field Rocket Brigade used rockets effectively at Leipzig in 1812—the first time they appeared in European land warfare. They were used again 2 years later at Waterloo. The warheads of such rockets were cast iron, filled with black powder and fitted with percussion fuzes. They were fired from trough-like launching stands, which were adjustable for elevation.Rockets seem to have had a demoralizing effect upon untrained troops, and perhaps their use by the British against raw American levies at Bladenburg, in 1814, contributed to the rout of the United States forces and the capture of Washington. They also helped to inspire Francis Scott Key. Whether or not he understands the technical characteristics of the rocket, every schoolboy remembers the "rocket's red glare" of the National Anthem, wherein Key recorded his eyewitness account of the bombardment of Fort McHenry. The U.S. Army in Mexico (1846-48) included a rocket battery, and, indeed, war rockets were an important part of artillery resources until the rapid progress of gunnery in the latter 1800's made them obsolescent. |
February 17, 2026 at 12am to February 5, 2027 at 12am – where & how you choose
Skype: Travelingraggyman
Email and Instant Messenger:
TravelerinBDFSM @ aol/aim; hotmail; identi.ca; live & yahoo
OR
Travelingraggyman @ gmail and icq ***
1AWARD UPDATES & INFORMATION
10,000 votes - Platinum Award
5,000 votes - Gold Award
2,500 votes - Silver Award
1,000 votes - Bronze Award
300 votes - Pewter Award
100 votes - Copper Award
Member of the Associated Posting System {APS}
This allows members on various sites to share information between sites and by providing a by line with the original source it credits the author with the creation.
Legal Disclaimer
***************We here at Traveling within the World are not responsible for anything posted by individual members. While the actions of one member do not reflect the intentions of the entire social network or the Network Creator, we do ask that you use good judgment when posting. If something is considered to be inappropriate it will be removed
This site is strictly an artist operational fan publication, no copyright infringement intended
Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.
Patchwork Merchant Mercenaries.
Vendertainers that brought many things to a show and are know for helping out where ever they can.
As well as being a place where the older hand made items could be found made by them and enjoyed by all.
We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.
Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.
Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.
Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"
A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?
After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...
Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.
© 2025 Created by Rev. Allen M. Drago ~ Traveler. Powered by