e Gittern and Citole
Gittern by Diabolus
Prepare to be confused. If you read any early music reference books published more than about 15 years ago, including the very popular David Munrow ones, you will find a major naming error on two of the most common plucked string instruments of the middle ages. It wasn't wilful negligence; it's just that medieval documents are rather unclear on such matters as names. Often, an author will discuss a whole group of instruments, and include an illustration which may or may not show all the instruments discussed in the text. Half of them are given completely spurious Latin names, which bear only a tenuous relationship to the vernacular names used by other authors for the same instrument. None of them are labelled anyway, so while you're reasonably sure that the one on the left is a harp, the odd-looking thing in the middle could be just about any of the others mentioned, or it might be an automatic cheese slicer. It took some extremely painstaking cross-referencing by a guy called Laurence Wright to sort it all out. The final conclusion was pretty definite, and appeared in the Galpin Society Journal in May 1977. The information took a while to filter through the early music community though, so beware of any reference to the gittern, citole, or mandora in pre-1985 texts. Check the illustrations and make sure what instrument is being discussed. The following notes use Wright's revised names.

The Citole was largely a pre-1400 phenomenon. It is generally shown as a four-string instrument, with a body generally referred to as "holly-leaf" shaped. There is, amazingly, a surviving instrument from around 1300, which was originally owned by the earls of Warwick, but is now in the British Museum, probably still labelled as the "Warwick Castle Gittern". This example survived because it was a nobleman's instrument, and every inch of the body is covered in very fine carving. Being an heirloom and a thing of beauty, it was converted into a violin in the sixteenth century and given a new life, instead of being consigned to the firewood pile. Instrument makers like us may curse at the loss of information about the original soundboard construction, but at least we have an authentic body, and don't have to rely entirely on crabby medieval illustrations and buckets of conjecture. The body and neck are carved from a single lump of wood, and the neck is very deep, having a hole pierced through it for the player's thumb.

The gittern resembles a very small lute, with a curved ("sickle-shaped") pegbox. The body of the lute was always built up from a number of thin, tapered ribs, joined at the edges to form the characteristic rounded shape, with the solid neck attached as a separate piece. The gittern, by contrast, was carved from a single piece of wood, like the citole. There is a surviving gittern, a very fine example by Hans Oth of Nuremberg, dated about 1450. This is a late gittern, having five double-strung courses, and it may be a gittern trying to be a treble lute, reflecting changing musical ideas and playing styles. Illustrations suggest that four courses were more usual, and the gittern was probably single-strung before about 1400.

The citole has been proposed as the ancestor of the renaissance cittern, largely, it seems, from the association of both instruments with commoners and "low" musical situations. Since the cittern was strung in metal, modern citole reconstructions are often metal-strung also. I have to say that this is based on pure conjecture. What evidence there is suggests that the only metal-strung instruments in the middle ages were the psaltery, dulcimer and the Irish harp. There is definite documentary evidence that both the citole and the gittern were normally strung in gut.

Finally, another point of confusion. The name "citole" died out with the instrument, in around 1400, unless you think that "cittern" is a derivation of it. "Gittern", on the other hand, carried on, and seems to have been applied haphazardly to whatever plucked string instrument happened to be in fashion, if it wasn't a lute. So the early guitar was called a gittern in the early sixteenth century. By the eighteenth, the gittern was a form of English guitar, which wasn't a guitar, but a form of cittern. Aren't you glad you don't do research into early instruments? On the other hand, we're just as bad nowadays. Spare a thought for the poor music researcher four centuries hence who has to sort out the terms acoustic, Les Paul, jazz, Spanish, electro-acoustic, steel, Fender, bass, guitar synth, plank, classical, Strat, twelve-string, and a few others, all of which are either minor variants or completely different instruments, but all called guitars.

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.


Patchwork Merchant Mercenaries.


Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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