This is the Wench tool for the made when the Wench Guild was started many years ago.

 

the phrase of "Does your Lord measure up, M'Lady?' was one that made even the best kilt worry.

 

Best reaction was one Wench entered the tent 'O'ed her mouth and sized the holes to her. Then pointed and announced 'That's me Lord!' . Then behind her he walked in and relised he was the subject of all that looked.

 

Marked off for length along the side. These also act as a fast line of defence as well. Ribbons are placed for ..... well you know the color they should be for to cut and give out {tie on}.

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Basic wooden rune sets

 

 

In stanza 157 of Hávamál, the runes are attributed with the power to bring that which is dead to life. In this stanza, Odin recounts a spell:

Þat kann ek it tolfta,
ef ek sé á tré uppi
váfa virgilná,:
svá ek ríst ok í rúnum fák,
at sá gengr gumi
ok mælir við mik.



I know a twelfth one if I see,
up in a tree,
a dangling corpse in a noose,
I can so carve and color the runes,
that the man walks
And talks with me.

The earliest runic inscriptions found on artifacts give the name of either the craftsman or the proprietor, or, sometimes, remain a linguistic mystery. Due to this, it is possible that the early runes were not so much used as a simple writing system, but rather as magical signs to be used for charms. Although some say the runes were used for divination, there is no direct evidence to suggest they were ever used in this way. The name rune itself, taken to mean "secret, something hidden", seems to indicate that knowledge of the runes was originally considered esoteric, or restricted to an elite. The 6th century Björketorp Runestone warns in Proto-Norse using the word rune in both senses:

Haidzruno runu, falahak haidera, ginnarunaz. Arageu haeramalausz uti az. Weladaude, sa'z þat barutz. Uþarba spa.

I, master of the runes(?) conceal here runes of power. Incessantly (plagued by) maleficence, (doomed to) insidious death (is) he who breaks this (monument). I prophesy destruction / prophecy of destruction.

The same curse and use of the word rune is also found on the Stentoften Runestone. There are also some inscriptions suggesting a medieval belief in the magical significance of runes, such as the Franks Casket (700 AD) panel.

Charm words, such as auja, laþu, laukaR and most commonly, alu, appear on a number of Migration period Elder Futhark inscriptions as well as variants and abbreviations of them. Much speculation and study has been produced on the potential meaning of these inscriptions. Rhyming groups appear on some early bracteates that may also be magic in purpose, such as salusalu and luwatuwa. Further, an inscription on the Gummarp Runestone (500 to 700 AD) gives a cryptic inscription describing the use of three runic letters followed by the Elder Futhark f-rune written three times in succession.

Nevertheless, it has proven difficult to find unambiguous traces of runic "oracles": Although Norse literature is full of references to runes, it nowhere contains specific instructions on divination. There are at least three sources on divination with rather vague descriptions that may or may not refer to runes: Tacitus's 1st century Germania, Snorri Sturluson's 13th century Ynglinga saga and Rimbert's 9th century Vita Ansgari.

The first source, Tacitus's Germania, describes "signs" chosen in groups of three and cut from "a nut-bearing tree," although the runes do not seem to have been in use at the time of Tacitus' writings. A second source is the Ynglinga saga, where Granmar, the king of Södermanland, goes to Uppsala for the blót. There, the "chips" fell in a way that said that he would not live long (Féll honum þá svo spánn sem hann mundi eigi lengi lifa). These "chips," however, are easily explainable as a blótspánn (sacrificial chip), which was "marked, possibly with sacrificial blood, shaken and thrown down like dice, and their positive or negative significance then decided."

The third source is Rimbert's Vita Ansgari, where there are three accounts of what some believe to be the use of runes for divination, but Rimbert calls it "drawing lots". One of these accounts is the description of how a renegade Swedish king Anund Uppsale first brings a Danish fleet to Birka, but then changes his mind and asks the Danes to "draw lots". According to the story, this "drawing of lots" was quite informative, telling them that attacking Birka would bring bad luck and that they should attack a Slavic town instead. The tool in the "drawing of lots," however, is easily explainable as a hlautlein (lot-twig), which according to Foote and Wilson would be used in the same manner as a blótspánn.

The lack of extensive knowledge on historical usage of the runes has not stopped modern authors from extrapolating entire systems of divination from what few specifics exist, usually loosely based on the runes' reconstructed names and additional outside influence.

A recent study of runic magic suggests that runes were used to create magical objects such as amulets (MacLeod and Mees 2006), but not in a way that would indicate that runic writing was any more inherently magical than were other writing systems such as Latin or Greek.
A lantern is a portable lighting device used to illuminate broad areas. Lanterns may also be used for signaling, to guide your path somewhere or as general light sources for camping. In the older days it would have been used like a torch. Dim varieties are often used for decoration. The term "lantern" is also used more generically to mean a 'light source' or the enclosure for a light source, i.e., the housing for the lamp and lens — that is the top section — of a lighthouse.

 

Basic glassed hang lantern for walking encampments with as well

A design on a 'viking chair' do not know what ever became of it

The "Viking" style chair is common in the SCA. Still have not found any credible reference documenting its actual use by the Norse people. The design is, however, easier to build than most furniture, packs into a small space, and is quite comfortable to use

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.

 

Patchwork Merchant Mercenaries.

 

Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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