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At harvest time during the chaotic reign of king Stephen of England (1135-1154), there was a strange occurrence in the Suffolk village of Woolpit, near Bury St. Edmunds. While the reapers were working in the fields, two young children emerged from deep ditches excavated to trap wolves, known as wolf pits, hence the
name of the village. The children, a boy and a girl, had skin tinged
with a green hue, and wore clothes of a strange colour, made from
unfamiliar materials. They wandered around bewildered for a few minutes,
before being discovered by the reapers and taken to the village. Here
the locals gathered round and questioned them, but no-one was able to
understand the language the children spoke, so they were taken to the
house of local landowner Sir Richard de Calne (or Colne), a few miles
away at Wikes (or Wakes). Here they broke into tears and for
some days refused to eat the bread and other food that was brought to
them. But when newly-shelled beans with their stalks still attached were
brought in the starving children immediately made signs that they were
desperate to eat. However, when the children took the beans they opened
the stalks rather than the pods, and finding nothing inside, began
weeping again. After they had been shown how to obtain the beans, the
children survived on this food for many months until they acquired a
taste for bread.
As time passed the boy, who appeared to be the younger of the two, became depressed, sickened and died, but the girl adjusted to her new life, and was
baptized. Her skin gradually lost its original green colour and she
became a healthy young woman. She learned the English language and
afterwards married a man of the nearby town of Lavenham (or King's Lynn,
in the neighboring county of Norfolk,
accounts vary), apparently becoming 'rather loose and wanton in her
conduct'. After a few years, she was left a widow. Some sources claim
that she took the name 'Agnes Barre' and the man she married was a
senior ambassador of Henry II. It is also said that the current Earl
Ferrers is descended from her through intermarriage.
When questioned about her past the girl was only able to relate vague details about where the children had come from and how they arrived at Woolpit.
She stated that her and the boy were brother and sister, and had come
from 'the land of Saint
Martin' where it was perpetual twilight, and all the inhabitants were
green in colour like they had been. She was not sure exactly where her
homeland was located, but another 'luminous' land could be seen across a
'considerable river' separating it from theirs. She remembered that one
day they were looking after their father's herds in the fields and had
followed them into a cavern, where they heard the loud sound of bells.
Entranced, they wandered through the darkness for a long time until they
arrived at the mouth of the cave, where they were immediately blinded
by the glaring sunlight. They lay down in a daze for a long time, before
the noise of the reapers terrified them and they rose and tried to
escape, but were unable to locate the entrance of the cavern before
being caught.
Originating in the 12th century, the strange fairy-tale-like story of the Green Children remained in the popular imagination throughout subsequent
history, as testified by references to it in Robert Burton's The Anatomy of Melancholy, written in 1621, and a description based on the original sources in Thomas Keightley’s The Fairy Mythology (1828). There was even a supposed second sighting of Green Children in a place called 'Banjos' in Spain,
in August 1887. However the details of this event are almost exactly
the same as in the Woolpit case and the story seems to originate with
John Macklin in his book Strange Destinies (1965). There is nowhere called 'Banjos' in Spain and the account is merely a retelling of the 12th century English story.
The two original sources for this unexplained story are both from the 12th century. William of Newburgh (1136-1198), an English historian, includes the Green Children in his main work Historia rerum Anglicarum (History of English Affairs), a history of England from 1066 to 1198. The other source is Ralph of Coggeshall (died c 1228), who was sixth abbot of Coggeshall Abbey in
Essex from 1207-1218. His account of the Green Children is included in
the Chronicon Anglicanum (English Chronicle) to
which he contributed between 1187 and 1224. As can be seen from the
dates, both authors recorded the incident many years after it was
supposed to have taken place. The fact that there is no mention of the
Green Children in the Anglo-Saxon Chronicles, which deals with
English history up until the death of King Stephen in 1154, and includes
many of the 'wonders' popular at the time, could indicate either that
the story is simply a myth, or that the incident occurred early in the
reign of Henry II, rather than in the reign of King Stephen.
Ralph of Coggeshall, living in Essex, the neighbouring county to Suffolk, certainly would have had direct access to the people involved in the
case. In fact he states in his Chronicle that he had
frequently heard the story from Richard de Calne himself, for whom
'Agnes' worked as a servant. In contrast, William of Newburgh, living in
a remote Yorkshire monastery, would not have had such first-hand
knowledge of events, though he did use contemporary historical sources,
as is indicated when he says 'I was so overwhelmed by the weight of so
many and such competent witnesses'. Richard de Calne and his house at
‘Wikes’ have never been traced. However, there is a Wakes Colne Manor in
neighboring Essex – a few miles away from Coggeshall, one wonders if there has been some confusion in the transcription of the story here.
What evidence there is for Agnes supposedly marrying a senior ambassador to Henry II is unclear. The only traceable senior ambassador with this name at that time is Richard
Barre, chancellor to Henry II, archdeacon of Ely and a royal justice in
the late 12th century. After 1202, Richard retired to become an Austin canon at Leicester, so it is seems unlikely that he was the husband of Agnes.
Various explanations have been put forward for the enigma of the Green Children of Woolpit. The most extreme include that the children originated from a hidden world inside the earth, that they had somehow stepped through a door from a parallel dimension, or they were
aliens accidentally arrived on earth. One supporter of the latter theory
is the Scottish astronomer Duncan Lunan, who suggests that the children
were aliens transported to Earth from another planet in error by a
malfunctioning matter transmitter.
A local legend links the Green children with the 'Babes in the Wood' folktale first published in Norwich in 1595, and probably set in Wayland Wood, close to
Thetford Forest on the Norfolk-Suffolk border. The story concerns a medieval Norfolk
earl who was the uncle and guardian of two young children, a boy aged
three and a younger girl. In order to inherit their money the uncle
hires two men to take them into the woods and murder them, but they are
unable to perform the deed and abandon them in Wayland Wood where they
eventually die of starvation and exposure. The Woolpit variation moves
the story to Woolpit Wood, just outside the village, and has the
children surviving attempted arsenic poisoning, to emerge onto Woolpit
Heath where they were found by the reapers. Arsenic has been put forward
by some as the reason for the children's' green skin, and the
possibility that they were real-life 12th century 'babes in the wood',
or feral children, which inspired the folktale cannot entirely be
discounted.
The most widely accepted explanation at present was put forward by Paul Harris in Fortean Studies 4 (1998). His theory is roughly as follows. First of all the date for the incident is moved forward to 1173, into the reign of King Stephen's
successor Henry II. There had been a continued immigration of Flemish
(north Belgian) weavers and merchants into England from the 11th century
onwards, and Harris states that after Henry II became king these
immigrants were persecuted, culminating in a battle at Fornham in Suffolk in 1173, where thousands were slaughtered. He theorizes that the children had probably lived in or near to the village of Fornham St. Martin, hence the St. Martin
references in their story. This village, a few miles from Woolpit, is
separated from it by the River Lark, probably the 'very considerable
river' mentioned by the girl in account. After
their parents had been killed in the conflict, the two Flemish children
had escaped into the dense, dark woodland of Thetford Forest.
Harris proposes that if the children remained there in hiding for a time without enough food, they could have developed chlorosis due to malnutrition - hence the greenish tinge to the skin. He believes that they later followed the sound of the church bells of Bury St.
Edmunds, and wandered into one of the many underground mine passages
which were part of Grimes Graves, flint mines dating back over 4000
years to the Neolithic period. By following mine passageways they
eventually emerged at Woolpit, and here the bewildered children in their
undernourished state, with their strange clothes, and speaking the
Flemish language, would have seemed alien to villagers who hadn't had
any contact with Flemish people.
Harris’s ingenious hypothesis certainly suggests plausible answers to many of the riddles of the Woolpit mystery. But the theory of displaced
Flemish
orphans accounting for the Green Children does not stand up in many
respects. When Henry II came to power and decided to expel the Flemish
mercenaries previously employed by King Stephen from the country,
Flemish weavers and merchants who had lived in the country for
generations would have been largely unaffected. In the civil war battle
of Fornham in 1176, it was Flemish mercenaries, employed to fight
against the armies of King Henry II, who were slaughtered, along with
the rebel knights they had been fighting alongside. These mercenaries
would hardly have brought their families with them. After their defeat,
the remaining Flemish soldiers scattered throughout the countryside, and
many were attacked and killed by the local people. Surely a landowner
like Richard de Calne, or one of his household or visitors, would have
been educated enough to recognise that the language the children spoke
was Flemish. After all it must have been fairly widespread in eastern
England at that time.
Harris's theory of the children hiding out in Thetford forest, hearing the bells of Bury St. Edmunds and being led through underground passages to
Woolpit also has problems of geography. First of all, Bury St. Edmunds
is 40km from Thetford forest; the children could not have heard church
bells over such a distance. In addition, the flint mines are confined to
the area of Thetford forest, there are no underground passages leading
to Woolpit, and if there were, it is almost 50km from the forest to
Woolpit, surely too far to walk for two starving children. Even if the
Green Children originated from Fornham St. Martin, it is still a 16km
walk to Woolpit, and as to the 'considerable river' mentioned by the
girl - the River Lark is far too narrow to qualify for this.
There are many aspects of the Woolpit tale which are found in English folk beliefs and fairy tales, and some researchers see the Green Children as
personifications of nature, related to the Green Man or
Jack-in-the-Green of English folklore, and even the weird Green Knight
of Arthurian myth. Perhaps the children are related to the elves and
fairies which until a century or two ago, were believed in without
question by many country folk. If the Green Children story is a
fairytale, then it has the unusual twist of the girl never returning to
her otherworldly home, but remaining married and living as a mortal.
Perhaps Ralph of Coggeshall's slightly enigmatic comment that the girl
was 'rather loose and wanton in her conduct' is a suggestion that she
had retained some of her fairy wildness. Indeed, the girl’s description
of her own St. Martin’s Land’ is close to a traditional description of
Fairie, such as described by author Juliana Horatia Ewing in 1871 -
She found herself on a sort of open heath, where no houses were to be seen. Of course there was no moonshine, and yet it was neither daylight nor
dark. There was as the light of early dawn, and every sound was at once
clear and dreamy, like the first sounds of day coming through the fresh
air before sunrise.
Juliana Horatia Ewing - ‘Amelia and the Dwarfs’ (from the collection The Brownies and Other Tales, 1871).
The colour green has always been associated with the fairies, the otherworld and the supernatural. The children's fondness for green beans does suggest
another link with the otherworld, as beans were said to be the food of
the dead. In Roman religion, the Lemuria,
was an annual festival in which people used offerings of beans to
exorcise the evil ghosts of the dead (the Lemures) from their homes. In
ancient Greece, Rome and Egypt, as well as in Medieval England, beans
were believed to contain the souls of the dead.
That the Green Children of Woolpit story is included in two 12th century sources should not be taken as proof of its genuineness. It must be born in mind
that medieval chronicles, though describing political and religious
events, also listed many signs, wonders and miracles that would not be
accepted today, but were widely believed at the time, even by educated
men and women. Perhaps then, the strange apparition of the Green
Children was a symbol of disturbed and changing times intermingled with
local mythology and folk beliefs of the afterlife. Or it may even be one
of the earliest English fairy tales we have. Whatever the truth of the
matter, unless descendents of 'Agnes Barre' can be traced, as some have
suggested, or further contemporary documentary evidence unearthed, the
story of the Green Children will remain one of England's most puzzling
mysteries.
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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.
Patchwork Merchant Mercenaries.
Vendertainers that brought many things to a show and are know for helping out where ever they can.
As well as being a place where the older hand made items could be found made by them and enjoyed by all.
We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.
Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.
Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.
Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"
A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?
After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...
Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.
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