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Englynion y Beddau, "Stanzas of the Graves" (aka The Graves of the Warriors of Britain) are found in a number of Welsh manuscripts. The earliest and most important collection is in the"Black Book of Carmarthen" containing seventy-three stanzas; sixty-nine of which were copied in the second quarter of the thirteenth century and the other four (numbers 70 to 73) in the second half of the same century. Five such stanzas occur amongst the Llywarch verses in the "Red Book of Hergest" and it is known that these five were once in the earlier (fourteenth century) "White Book of Rhydderch."
The stanzas themselves may well date to the ninth or tenth century. Certainly later court poets of the princes appear to have drawn on this information.
There is a grave for March, a grave for Gwythur,
a grave for Gwgawn Red-sword;
the world's wonder a grave for Arthur.
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Mi a Wum, literally "I have been," is found in the Black Book of Carmarthen (Llyfr Du Caerfyrddin) which dates to 1250 but the poem itself is earlier, dating to the tenth or eleventh century. Four of the stanza commence: "I have been where ___ was slain"
I have been where Llachau was slain,
the son of Arthur, awful in songs,
when ravens croaked over blood.
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Pa Gur yv y Portaur This is an incomplete poem, usually dated to the eleventh century. It begins as a dialogue between Arthur and Glewlwyd, the porter or gate-keeper, but develops into a list of Arthur's men and their exploits. Many of the names and references are similar to those in Culhwch ac Olwen.
'What man is the porter?'
'Glewlwyd Great-Grip
what man asks it?'
'Arthur and Cai the Fair.'
'What retinue travels with you?'
'The best men in the world.'
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Cad Goddau The Battle of the Trees, from Preidu Annwn, is one of the transformation/prophecy poems of the legendary Taliesin.
My fingers are long and white,
far from a shepherd was I reared;
I rolled on the ground
before I became a proficient.
I traversed, I went round them,
I slept on a thousand islands.
I took a hundred forts.
Wise druids, prophesy to Arthur
what will be, what is,
what was once perceived:
the story of the flood
Christ's crucifixion
with Judgement Day at hand.
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Kanu y Meirch The Song of the Horses, is a listing poem, this time of heroes and their steeds.
And Caradog's horse,
lively and rightful;
And Gwythur's horse;
And Gwawrddur's horse;
And Arthur's horse,
boldly bestowing pain;
And Taliesin's horse;
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Y Gododdin Preserved in the thirteenth century, Llyfr Aneirin, Y Gododdin has a claim to be one of the earliest Welsh poems (or sequence of poems). It contains one reference to Arthur, which may or may not be a later interpolation; if it is original it is the earliest of all references to Arthur:
He charged before three hundred of the finest,
He cut down both centre and wing,
He excelled in the forefront of the noblest host,
He gave gifts of horses from the herd in winter.
He fed black ravens on the rampart of a fortress
Though he was no Arthur.
Among the powerful ones in battle,
In the front rank, Gwawrddur was a palisade.
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Trioedd Ynys Prydein The Triads. It is believed that the triads evolved as mnemonic devices to assist the recollection of narrative material and that they were used in the bardic schools, with pupil bards learning triad sequences by heart. In all there are some 96 Triads contained in various Welsh manuscripts. Many of the Triads have Arthurian references (particularly in the later versions):
Information courteously provided by Jeff Davies of Llys Arthur
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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.
Patchwork Merchant Mercenaries.
Vendertainers that brought many things to a show and are know for helping out where ever they can.
As well as being a place where the older hand made items could be found made by them and enjoyed by all.
We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.
Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.
Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.
Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"
A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?
After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...
Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.
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