Mistress

[Dept of PMM Artists & things]

A mistress is a man's long-term female lover and companion who is not married to him, especially used when the man is married to another woman. The relationship generally is stable and at least semi-permanent; however, the couple does not live together openly. Also the relationship is usually, but not always, secret. And there is the implication that a mistress may be "kept"—i.e., that the man is paying for some of the woman's living expenses.

Unlike a concubine, a mistress has no legal relationship to the man. There is no specific word in English for a "male mistress", a man in the same relationship to a woman as a mistress is to a man, except for the more general term "lover", which does not carry the same implications. "Paramour" is sometimes used, but this term can apply to either partner in an illicit relationship, so it is not exclusively male. In 18th- and 19th-century Venice the terms "cicisbeo" and "cavalier servente" were used to describe a man who was the professed gallant and lover of a married woman.

Definition

Historically, the term has denoted a kept woman, who was maintained in a comfortable (or even lavish) lifestyle by a wealthy man so that she will be available for his sexual pleasure. Such a woman could move between the roles of a mistress and a courtesan depending on her situation and environment. Today, however, the word mistress is used primarily to refer to the female lover of a man who is married to another woman; in the case of an unmarried man it is usual to speak of a "girlfriend" or "partner." Historically a man "kept" a mistress. As the term implies, he was responsible for her debts and provided for her in much the same way as he did his wife, although not legally bound to do so. In more recent and emancipated times, it is more likely that the mistress has a job of her own, and is less, if at all, financially dependent on the man.

A mistress is not a prostitute. While a mistress, if "kept", may essentially be exchanging sex for money, the principal difference is that a mistress keeps herself exclusively reserved for one man, in much the same way as a wife, and there is not so much of a direct quid pro quo between the money and the sex act. There is also usually an emotional and possibly social relationship between a man and his mistress, whereas the relationship to a prostitute is predominantly sexual. It is also important that the "kept" status follows the establishment of a relationship of indefinite term as opposed to the agreement on price and terms established prior to any activity with a prostitute.

 History

Eugène Delacroix' 1825 painting "Louis d'Orléans Showing his Mistress".

The historically best known and most researched mistresses are the royal mistresses of European monarchs, for example Diane de Poitiers, Barbara Villiers, Nell Gwynne and Madame de Pompadour. However, the keeping of a mistress in Europe was not confined to royalty and nobility but permeated down through the social ranks. Anyone who could afford a mistress could have one (or more), regardless of social position. A wealthy merchant or a young noble might have a kept woman. Being a mistress was typically an occupation for a younger woman who, if she was fortunate, might go on to marry her lover or another man of rank. The ballad The Three Ravens (published in 1611, but possibly older) extolls the loyal mistress of a slain knight, who buries her dead lover and then dies of the exertion, as she was in an advanced stage of pregnancy. It is noteworthy that the ballad-maker assigned this role to the knight's mistress ("leman" was the term common at the time) rather than to his wife.

In the courts of Europe, particularly Versailles and Whitehall in the 17th and 18th centuries, a mistress often wielded great power and influence. A king might hold numerous mistresses but have a single "favourite mistress" or "official mistress" (in French, "maîtresse en titre"), as with Louis XV and Madame de Pompadour. The mistresses of both Louis XV (especially Mme de Pompadour) and Charles II were often considered to exert great influence over their lovers, the relationships being open secrets. Other than wealthy merchants and kings, Alexander VI is but one example of a Pope who kept mistresses, in violation of the celibacy vows required by the Catholic church.

Madame de Pompadour, mistress of Louis XV of France, circa 1750

While the extremely wealthy might keep a mistress for life (as George II of England did with "Mrs Howard"), even after they were no longer romantically linked, such was not the case for most kept women. In 1736, when George II was newly ascendant, Henry Fielding (in Pasquin) has his Lord Place say, "…but, miss, every one now keeps and is kept; there are no such things as marriages now-a-days, unless merely Smithfield contracts, and that for the support of families; but then the husband and wife both take into keeping within a fortnight."

During the 19th century, a time in which morals became more puritanical, the keeping of a mistress became more circumspect, but conversely the tightening of morality also created a greater desire for a man to have a mistress. When an upper class man married a woman of equal rank, as was the norm, it was likely that she had been strictly brought up to believe that sexual intercourse was firmly for procreation rather than recreation. Some men thus went to a mistress if they wanted a less prudish female companion.

It occasionally occurs that the mistress is in a superior position both financially and socially to her lover. Catherine the Great was known to have been the mistress of several men during her reign; however, like many powerful women of her era, in spite of being a widow free to marry, she chose not to share her power with a husband, preferring to maintain absolute power alone. In literature, D. H. Lawrence's work Lady Chatterley's Lover portrays a situation where a woman becomes the mistress of her husband's gamekeeper. Until recently, a woman's taking a lover socially inferior to herself was considered much more shocking than the reverse situation.

 20th century

During the 20th century, as many women became better educated and more able to support themselves, fewer women found satisfaction in the position of being a mistress and were more likely to pursue relationships with unmarried men. Since divorce became more socially acceptable,it was now easier for men to divorce their wives and marry the women who, in earlier eras, would have been their mistresses. However, the practice of having a mistress still existed among some married men, especially the wealthy. In Europe, for example, many cultures continued to acknowledge and condone the practice of keeping mistresses.

Occasionally, men married their mistresses. The late Sir James Goldsmith, on marrying his mistress, Lady Annabel Birley, declared, "When you marry your mistress, you create a job vacancy".

 In literature

William Hogarth's A Harlot's Progress, plate 2, from 1731 showing Moll Hackabout as a mistress.

In both John Cleland's Fanny Hill and Daniel Defoe's Moll Flanders, as well as in countless novels of feminine peril, the distinction between a "kept woman" and a prostitute is all-important. Apologists for the practice of mistresses referred to the practice in the ancient Near East of keeping a concubine and would frequently quote verses from the Old Testament to show that mistress-keeping was an ancient practice that was, if not acceptable, at least understandable. John Dryden, in Annus Mirabilis, even attempted to suggest that the king's keeping of mistresses and making of bastards was a result of his abundance of generosity and spirit. In its more sinister form, the theme of being "kept" is never far from the surface in novels about women as victims in the 18th century in England, whether in the novels of Eliza Haywood or Samuel Richardson (whose heroines in Pamela and Clarissa are both put in a position of being threatened with sexual degradation and being reduced to the status of a kept object).

With the Romantics of the early 19th century, the subject of keeping becomes more problematic, in that a non-marital sexual union can occasionally be celebrated as a woman's free choice and a noble alternative. Maryann Evans (better known as George Eliot) defiantly lived "in sin" with a married man, partially as a sign of her independence of middle class morality, but her independence required that she not be "kept." Charlotte Brontë's novel Jane Eyre (1848) presents impassioned arguments on both sides of this question, as Rochester, unable to be free of his insane wife, tries to persuade Jane to live with him, which she resists.

[Dept of PMM Artists & things]

Mistress is an old form of address for a woman. It implies "lady of the house", especially a woman who is head of a household.

An example is Mistress Quickly in Shakespeare's The Merry Wives of Windsor. The title did not necessarily distinguish between married and unmarried women.

The title Mrs. is an abbreviation of Mistress, and the titles Miss and Ms. are also derived from it.