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The Stone of Destiny
The Stone has been used successively by Dalriadic, Scottish, English and British monarchs as an important part of their enthronement ceremonies. At first sight, it is difficult to understand why this plain and rather unremarkable block of sandstone has fired the passion that it has over the past 700 years. Yet the power and importance of the Stone (also known as the Stone of Scone) far outstrips its physical appearance. It is arguably the greatest symbol and touchstone of Scottish nationhood and as such, has been a very potent icon for more than a thousand years.
Early history
Like much of what is now 'uniquely Scottish', the origins of the Stone have been lost to history and typically, there are legends aplenty concerning it. One theory grants it biblical origins while others have it produced in various parts of Ireland and Scotland. In so far as any of its early history is clear, it seems that the Stone was used at Iona, Dunadd, Dunstaffnage and Scone for enthroning a succession of Dalriadic and subsequent monarchs. In 1292 John Balliol became the last king to use the Stone in Scotland as it was captured by Edward I of England in 1296, taken south alongside other important relics of nationhood and placed in Westminster Abbey. There it remained for the next 700 years, a part of the throne of Edward the Confessor on which all new sovereigns sit during their coronation. The last time it was used was at the coronation of HM The Queen in 1953.
The Stone returns home...
On St Andrews Day, 30 November 1996, the Stone of Destiny returned north of the border and amid much pomp and ceremony, was installed in Edinburgh Castle, taking its place alongside those other symbols of national identity, the Honours of Scotland. About 10,000 people lined the Royal Mile to watch the procession of dignitaries and troops escort the stone from the Palace of Holyroodhouse to the castle. In a service at St Giles cathedral, the Church of Scotland Moderator, the Right Reverend John MacIndoe, formally accepted the Stone's return, saying it would 'strengthen the proud distinctiveness of the people of Scotland'.
...or does it?
The question is, was it the real Stone that was returned? There have been doubts over the Stone's authenticity ever since The Hammer of the Scots carried it off as war booty. Some historians claim that by a cunning sleight-of-hand, the Scots actually handed Edward the cess-pit cover from Scone Castle rather than the real Stone (which if true, means that a long succession of English and British monarchs have been crowned while atop a medieval toilet-seat lid!). The picture is further blurred by the fact that on Christmas Day 1950, four nationalist students removed the Stone from Westminster Abbey and drove it north. It resurfaced some four months later following a huge public outcry, having been left symbolically in Arbroath Abbey, draped in a saltire. The rumour mill was quickly in action and it was suggested that the recovered stone, now safely restored beneath the Coronation Throne at Westminster, was in fact a copy. At least one acknowledged copy of the Stone does exist, on public display at Scone Palace in Perthshire, where it serves as a favourite roost for the elegant peacocks and camera-toting tourists who stroll the grounds. As to whether other copies exist, only a small handful of people know and they're not saying...
http://www.visitscotland.com/guide/scotland-factfile/scottish-icons...
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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.
Patchwork Merchant Mercenaries.
Vendertainers that brought many things to a show and are know for helping out where ever they can.
As well as being a place where the older hand made items could be found made by them and enjoyed by all.
We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.
Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.
Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.
Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"
A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?
After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...
Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.
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