The second month of the year, corresponding roughly with the Roman (and modern) month of February, was called Solmonath.

‘Monath’ is the Old English word for a month, and the direct ancestor of our modern English word ‘month’. ‘Sol’ is the Old English word for ‘mud’, see the online Dictionary of Old English. So Solmonath can be prosaically translated as ‘Mud Month’, which, as anyone who has ever walked across a ploughed field or tried to dig a vegetable garden at this time of year can tell you, is entirely appropriate to the usual weather.

Some people have suggested that ‘sol’ should be translated as ‘earth’ or ‘soil’ rather than ‘mud’, and so Solmonath might have a less prosaic meaning, perhaps more like ‘Earth Month’ or ‘month when the earth was honoured’.

Others have noted that ‘sol’ with a long ‘o’ is the Old English word for ‘sun’ (see the Old English dictionary. In temperate Europe, February is the time of year when the increase in day length that begins at the winter solstice becomes really noticeable, so it’s possible that ‘sol’ in the month name might refer to this visible returning of the sun.

According to the Old English dictionary, ‘sol’ in Old English could also mean a wooden halter for animals. So I’ll toss in another theory – perhaps ‘sol’ in the month name referred to the collar oxen wore to draw the plough, and Solmonath meant something like ‘Plough Month’? I haven’t seen that suggested elsewhere.

Whether Solmonath was the Mud Month, the Earth Month, the Sun Month or the Plough Month doesn’t really matter. Bede tells us something even more interesting about it:

Solmonath can be called “month of cakes”, which they offered to their gods in that month.


--Bede, On the Reckoning of Time, Chapter 15. Translated by Faith Wallis.

The reference to cakes is reminiscent of an Old English charm for making a field fertile, the Aecerbot or Field Remedy. The charm survives written down in a manuscript dating from the tenth or eleventh century, though it may well be derived from a much older tradition.

Take then each kind of flour and have someone bake a loaf [the size of] a hand's
palm and knead it with milk and with holy water and lay it under the first
furrow. Say then:
Field full of food for mankind,
bright-blooming, you are blessed
in the holy name of the one who shaped heaven
and the earth on which we live;
the God, the one who made the ground, grant us the gift of growing,
that for us each grain might come to use.

--Aecerbot, translated by Karen Louise Jolly

The surviving wording of the charm is Christianised, but it doesn’t take a very great leap of the imagination to suggest that the god who was being asked to make the field fertile could just as easily be a non-Christian deity. Kathleen Herbert has argued that the deity being petitioned was an earth goddess (Herbert 1994).

Whatever the deity, Bede’s description of cakes being offered to ‘their gods’ is certainly consistent with a rite similar to that described in the Aecerbot charm.

There is no (surviving) Old English word ‘sol’ meaning cake, and it has been suggested that Bede was mistaken about either the name of the month or the tradition attached to it. I would be very reluctant to think that we know more about Bede’s culture than he did, so I personally would take his word for it. It is worth noting that he says Solmonath “can be called” the month of cakes, which may indicate that “month of cakes” was an informal name like a nickname, or that the month could have several names. Another suggestion is that the cakes offered to the gods were called something like sun cakes, from the ‘sun’ meaning of ‘sol’. In which case February, Solmonath, might mean something like Sun Cake Month.

References
Full-text sources available online are linked in the text.
Bede: The Reckoning of Time. Translated by Faith Wallis. Liverpool University Press, 1999, ISBN 0-85323-693-3.
Herbert, Kathleen. Looking for the Lost Gods of England. Anglo-Saxon Books, 1994. ISBN 1-898281-04-1.
http://earlymedievalbritain.blogspot.com/2009/02/february-solmonath...

 

The year was a solar year, and the two most important dates were the summer solstice (Midsummer, the longest day of the year) and the winter solstice (Midwinter, the shortest day of the year). The winter solstice was called Guili, or Yule, and is the origin of our word “Yuletide” for Christmas. Each new year began at Yule.

The year was divided into two seasons, governed by the spring and autumn equinoxes (the points when the day and night are of exactly equal length). The season when the days were longer than the nights was called summer, the season when the nights were longer than the days was called winter.

 

Guide to the
EQUINOXES and SOLSTICES
SOLSTICE
SUMMER SOLSTICE: The first day of the Season of Summer. On this day (JUNE 21 in the northern hemisphere*) the Sun is farthest north and the length of time between Sunrise and Sunset is the longest of the year.

WINTER SOLSTICE: The first day of the Season of Winter. On this day (DECEMBER 22 in the northern hemisphere*) the Sun is farthest south and the length of time between Sunrise and Sunset is the shortest of the year.

* In the southern hemisphere, winter and summer solstices are exchanged. Summer: December 22. Winter: June 21.


EQUINOX
Two times of the year when night and day are about the same length. The Sun is crossing the Equator (an imaginary line around the middle of the Earth) and it is an equal distance from the North Pole and the South Pole.

SPRING EQUINOX: The first day of the Season of Spring - and the beginning of a long period of sunlight at the Pole. In the northern hemisphere: MARCH 20 (the Sun crosses the Equator moving northward). In the southern hemisphere: SEPTEMBER 22 (the Sun crosses the Equator moving southward).

AUTUMN EQUINOX: The first day of the Season of Autumn - and the beginning of a long period of darkness at the Pole. In the northern hemisphere: SEPTEMBER 22 (the Sun crosses the Equator moving southward). In the southern hemisphere: MARCH 20 (the Sun crosses the Equator moving northward).

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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.

 

Patchwork Merchant Mercenaries.

 

Vendertainers that brought many things to a show and are know for helping out where ever they can.

As well as being a place where the older hand made items could be found made by them and enjoyed by all.

We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.

Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.

Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.

Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"

A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?

After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...

Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.

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