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Copies of the Golden Horns of Gallehus 5th century BC: Two horns made of sheet gold, discovered in Gallehus, north of Møgeltønder in Southern Jutland, Denmark. Image: Vladimir Tkalčić (Flickr, used under a CC BY-NC-ND 3.0)
A new book describes the fascinating history of drinking horns and their importance within Scandinavian culture where their roots stretch back into at least the Iron Age as several graves have been found to contain examples from this period.
During Classical Antiquity, it was the Thracians and Scythians who were known for their custom of drinking from actual horns but in Bronze Age Mycenaean Greece, although they had retained their shape the materials used were clay or metal. Their spread across Central Europe and into Scandanavia by the 5th century BC can be traced by their fittings found in various graves.
The Gallehus horns, discovered north of Møgeltønder in Southern Jutland, Denmark, were created from sheet gold. Designed to look like auroch horns, they were found in 1639 and in 1734 respectively at locations only 20 metres apart and date to the early 5th century BC. Sadly the originals were stolen and melted down in 1802.
Some drinking horns were even imported into Scandinavia from the Roman Empire and made from fragile glass. However, it is in the Viking Age that the drinking horn fills the sagas and mythology and are found throughout their world. Fortunately, decorative metal terminals and mounts recovered archaeologically show that the drinking horn was much more widespread than the small number of preserved horns would otherwise indicate.
2000 year old female burial with remains of two drinking horns, Lolland, Denmark. Image: National Museum of Denmark
Horn fragments of Viking Age drinking vessels are rarely preserved, but the ones that are show both cattle and goat favoured. However, the majority were from domestic cattle and held around half a litre.
Significantly larger auroch horn examples (as the size of the fittings attest), found at sites such as the Sutton Hoo burial would have been the exception.
Suddenly in the 1100s the use of drinking horns stopped in Scandinavia, apparently banned by the church which saw them as symbolic of the older pagan culture. A hundred years later though the the practice resumed, and most of the medieval drinking horns come from 1300-1400 ‘s with many masterpieces decorated with gilt, silver and bronze.
Drinking horn from the 1300s called Absalon horn, thought to have belonged to the famous archbishop. – Drinking horn from the 1400s with gilt bronze. Notice the small eagles feet and the names of the Three King. Images: National Museum of Denmark
A few of the horns in the Danish collection are up to 87 cm long and come from aurochs, which became extinct in the 1600s. During the Middle Ages it was believed that many of the horns were griffin claws, a mythical creature with a head and body of an eagle and the hindquarters of a lion.
Often the drinking horn is imbued with a supernatural aura and appears in dramatic tales and stories such as fairy women trying to entice men to drink deadly poison.
Unusually, the ‘Three Kings’ have a special connection to drinking horn cultural history, and many of them bear inscriptions of their names; Caspar, Melchior and Balthazar. Their special holy day is celebrated on the 6th January, when tradition says that they found the baby Jesus after following the star. One of their gifts is often regarded in Scandinavian countries to have been a drinking horn.
The new book is by Vivian Etting, a historian and curator at the National Museum who specializes in 1300s and 1400′s Nordic history and has written several books and numerous articles including in-depth studies regarding the medieval castles of Denmark.
Source: National Museum of Denmark
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Cite this articleNational Museum of Denmark. Raising a horn to Danish drinking heritage. Past Horizons. January 03, 2013, from http://www.pasthorizonspr.com/index.php/archives/01/2014/raising-a-... |
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Patchwork Merchant Mercenaries had its humble beginnings as an idea of a few artisans and craftsmen who enjoy performing with live steel fighting. As well as a patchwork quilt tent canvas. Most had prior military experience hence the name.
Patchwork Merchant Mercenaries.
Vendertainers that brought many things to a show and are know for helping out where ever they can.
As well as being a place where the older hand made items could be found made by them and enjoyed by all.
We expanded over the years to become well known at what we do. Now we represent over 100 artisans and craftsman that are well known in their venues and some just starting out. Some of their works have been premiered in TV, stage and movies on a regular basis.
Specializing in Medieval, Goth , Stage Film, BDFSM and Practitioner.
Patchwork Merchant Mercenaries a Dept of, Ask For IT was started by artists and former military veterans, and sword fighters, representing over 100 artisans, one who made his living traveling from fair to festival vending medieval wares. The majority of his customers are re-enactors, SCAdians and the like, looking to build their kit with period clothing, feast gear, adornments, etc.
Likewise, it is typical for these history-lovers to peruse the tent (aka mobile store front) and, upon finding something that pleases the eye, ask "Is this period?"
A deceitful query!! This is not a yes or no question. One must have a damn good understanding of European history (at least) from the fall of Rome to the mid-1600's to properly answer. Taking into account, also, the culture in which the querent is dressed is vitally important. You see, though it may be well within medieval period, it would be strange to see a Viking wearing a Caftan...or is it?
After a festival's time of answering weighty questions such as these, I'd sleep like a log! Only a mad man could possibly remember the place and time for each piece of kitchen ware, weaponry, cloth, and chain within a span of 1,000 years!! Surely there must be an easier way, a place where he could post all this knowledge...
Traveling Within The World is meant to be such a place. A place for all of these artists to keep in touch and directly interact with their fellow geeks and re-enactment hobbyists, their clientele.
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