"The Seven Sermons to the Dead," Septem Sermones ad Mortuos, might best be described as the "summary revelation of the Red Book." It is the only portion of the imaginative material contained in the Red Book manuscripts that C.G. Jung shared more or less publicly during his lifetime. To comprehend the importance of the Septem Sermones, one must understand the events behind the writing of the Red Book itself -- a task ultimately facilitated by the epochal publication of Jung's Red Book in October of 2009 (C. G. Jung, The Red Book: Liber Novus, ed. Sonu Shamdasani, Norton, 2009). Dr. Shamdasani's extensive introduction and notes on the text of the Red Book provide a wealth of previously unavailable primary documentation on this crucial period of Jung's life.
The Red Book - Liber Novus |
In November of 1913 Carl Jung commenced an extraordinary exploration of the psyche, or "soul." He called it his “confrontation with the unconscious.” During this period Jung willfully entered imaginative or "visionary" states of consciousness. The visions continued intensely from the end of 1913 until about 1917 and then abated by around 1923. Jung carefully recorded this imaginative journey in six black-covered personal journals (referred to as the "Black Books"); these notebooks provide a dated chronological ledger of his visions and dialogues with his Soul.
Beginning in late 1914, Jung began transcribing from the Black Book journals the draft manuscript of his legendary Red Book, the folio-sized leather bound illuminated volume he created to contain the formal record of his journey. Jung repeatedly stated that the visions and imaginative experiences recorded in the Red Book contained the nucleus of all his later works.
Jung kept the Red Book private during his lifetime, allowing only a few of his family and associates to read from it. The only part of this visionary material that Jung choose to release in limited circulation was the Septem Sermones, which he had privately printed in 1916. (Click to see a page from the original printing) Throughout his life Jung occasionally gave copies of this small book to friends and students, but it was available only as a gift from Jung himself and never offered for public sale or distribution. When Jung's autobiographical memoir Memories, Dreams, Reflections was published in 1962, the Septem Sermones ad Mortuos was included as an appendix.
It remained unclear until very recently exactly how the Septem Sermones ad Mortuos related to the hidden Red Book materials. After Jung's death in 1961, all access to the Red Book was denied by his heirs. Finally in October of 2009, nearly fifty years after Jung's death, the family of C. G. Jung release the Red Book for publication in a beautiful facsimile edition, edited by Sonu Shamdasani. With this central work of Jung's now in hand, we discover that the Seven Sermons to the Dead actually compose the closing pages of the Red Book draft manuscripts; the version transcribed for the Red Book varies only slightly from the text published in 1916, however the Red Book includes after each of the sermons an additional amplifying homily by Philemon (Jung's spirit guide). [The Red Book, p346-54]
Base on their context, voice, content, and history, I suggest the Septem Sermones ad Mortuos might now properly be described as the "summary revelation of the Red Book." Seen in this light, it becomes understandable why Jung chose this one section of his "revelations" for printing and distribution among his disciples.
Jung's painting titled, "Septem Sermones ad Mortuous" - completed around 1918 while working on Liber Novus, and subsequently give as a gift to H.G. Baynes |
Near the end of his life, Jung spoke to Aniela Jaffe about the Septem Sermones and explained "that the discussions with the dead [in the Seven Sermons] formed the prelude to what he would subsequently communicate to the world, and that their content anticipated his later books. 'From that time on, the dead have become ever more distinct for me as the voices of the unanswered. unresolved and unredeemed.' " [The Red Book, p346 n78] Jung's decision in 1916 to publish this single summary statement from the Red Book writings gives evidence of the importance he ascribed to the Seven Sermons. In this same context, Jung remarked to Aniela Jaffe:
The years … when I pursued the inner images were the most important time of my life. Everything else is to be derived from this. It began at that time, and the later details hardly matter anymore. My entire life consisted in elaborating what had burst forth from the unconscious and flooded me like an enigmatic stream and threatened to break me. That was the stuff and material for more than only one life.
Everything later was merely the outer classification, the scientific elaboration, and the integration into life. But the numinous beginning, which contained everything, was then.”
In Memories, Dreams, Reflections Jung gives one account of how the Septem Sermones came to be written (the Sunday referred to below is probably Sunday, 30 January 1916):
It began with a restlessness, but I did not know what it meant or what "they" wanted of me. There was an ominous atmosphere all around me. I had the strange feeling that the air was filled with ghostly entities. Then it was as if my house began to be haunted....
Around five o'clock in the afternoon on Sunday the front doorbell began ringing frantically...but there was no one in sight. I was sitting near the doorbell, and not only heard it but saw it moving. We all simply stared at one another. The atmosphere was thick, believe me! Then I knew that something had to happen. The whole house was filled as if there were a crowd present, crammed full of spirits. They were packed deep right up to the door, and the air was so thick it was scarcely possible to breathe. As for myself, I was all a-quiver with the question: "For God's sake, what in the world is this?" Then they cried out in chorus, "We have come back from Jerusalem where we found not what we sought/' That is the beginning of the Septem Sermones. (Memories, Dreams, Reflections, p190-1)
A careful reading of The Red Book (including the abundant notes provided by the editor, Sonu Shamdasani) provides further contextual information. Shamdasani includes in the appendix a crucial journal entry from Jung's Black Book 5, dated 16 January 1916 [The Red Book, Appendix C, p370-1]. In this entry, Jung's Soul reveals to him the cosmological vision that will be more fully developed two weeks later in the Seven Sermons to the Dead. During these weeks Jung sketched in his journal the outlines of his first "mandala", the Systema Munditotius, which forms a schema to the vision conveyed in the Sermons [The Red Book, Appendix A, p363-4]. The Seven Sermons are recorded in journal entries in Black Book 6, dated 31 January to 8 February 1916.
In the original journal account of the revelation (Black Book 6) Jung himself is the voice speaking the Seven Sermons to the Dead. In the version transcribed into the Red Book manuscript, Jung gives Philemon as the voice speaking the Sermons. Interestingly, a few pages later, on the last page of the Red Book manuscript, Philemon is identified with the historical Gnostic prophet Simon Magus. When Jung subsequently transcribed the Sermons for printing as an independent text, the Sermons were attributed pseudepigraphically to yet another historical second century Gnostic teacher, Basilides of Alexandria. Thus Jung, Philemon, Simon Magus, and Basilides are all finally conflated together in the voice of the Gnostic prophet who speaks the Septem Sermones ad Mortuos.
For a detailed evaluation of the Jung's Gnostic studies during the period when he was composing the Seven Sermons to the Dead, we recommend a lecture presented by Dr. Lance Owens: The Search for Roots: C. G. Jung and the Tradition of Gnosis. This audio lecture is now available in mp3 format for listening online. (Click here to listen or to download the lecture.)
Jung and Gnostic Tradition
For a further introduction to Jung and Gnostic tradition, read the introductory excerpt from The Gnostic Jung and the Seven Sermons to the Dead by Stephan A. Hoeller: The Gnosis of C. G. Jung.
For a detailed historical evaluation of Jung's relationship with and study of Gnostic tradition during the period he wrote the Septem Sermones ad Mortuos, see the Foreword (by Lance Owens) published in The Search for Roots: C. G. Jung and the Tradition of Gnosis. (Click here to download the Foreword.)
Translations
Two English translations of the text are available in our library. The first translation (below) by H. G Baynes was printed in 1925 and is the version published as an appendix in Memories, Dreams, Reflections. The second translation was made by Stephan A. Hoeller based on his transcription of a private copy of the Septem Sermones ad Mortuos which came to him in 1949. It is found in his book, The Gnostic Jung and the Seven Sermons to the Dead, and is included here by permission of the author.
The translation by Dr. Hoeller is recommended to readers -- Click here for the Hoeller translation of The Seven Sermons to the Dead.
The most compete version of the material surrounding the Septem Sermones is found in C. G. Jung, The Red Book: Liber Novus. It should be remembered, however, that this primary version remained hidden and largely unknown until very recently. Students of Jung are encouraged to again consider the text of the Septem Sermones as published and shared by Jung -- this is the signal revelation of Jung's hidden vision.
- Lance S. Owens
Dept of PMM Artists & things
Sermo V
The dead mocked and cried: Teach us, fool, of the church and holy communion.
The world of the gods is made manifest in spirituality and in sexuality. The celestial ones appear in spirituality, the earthly in sexuality.
Spirituality conceiveth and embraceth. It is womanlike and therefore we call it mater coelestis, the celestial mother. Sexuality engendereth and createth. It is manlike, and therefore we call it phallos, the earthly father.
The sexuality of man is more of the earth, the sexuality of woman is more of the spirit.
The spirituality of man is more of heaven, it goeth to the greater.
The spirituality of woman is more of the earth, it goeth to the smaller.
Lying and devilish is the spirituality of the man which goeth to the smaller.
Lying and devilish is the spirituality of the woman which goeth to the greater.
Each must go to its own place.
Man and woman become devils one to the other when they divide not their spiritual ways, for the nature of creatura is distinctiveness.
The sexuality of man hath an earthward course, the sexuality of woman a spiritual. Man and woman become devils one to the other if they distinguish not their sexuality.
Man shall know of the smaller, woman the greater.
Man shall distinguish himself both from spirituality and from sexuality. He shall call spirituality Mother, and set her between heaven and earth. He shall call sexuality Phallos, and set him between himself and earth. For the Mother and the Phallos are super-human daemons which reveal the world of the gods. They are for us more effective than the gods, because they are closely akin to our own nature. Should ye not distinguish yourselves from sexuality and from spirituality, and not regard them as of a nature both above you and beyond, then are ye delivered over to them as qualities of the pleroma. Spirituality and sexuality are not your qualities, not things which ye possess and contain. But they possess and contain you; for they are powerful daemons, manifestations of the gods, and are, therefore, things which reach beyond you, existing in themselves. No man hath a spirituality unto himself, or a sexuality unto himself. But he standeth under the law of spirituality and of sexuality.
No man, therefore, escapeth these daemons. Ye shall look upon them as daemons, and as a common task and danger, a common burden which life hath laid upon you. Thus is life for you also a common task and danger, as are the gods, and first of all terrible Abraxas.
Man is weak, therefore is communion indispensable. If your communion be not under the sign of the Mother, then is it under the sign of the Phallos. No communion is suffering and sickness. Communion in everything is dismemberment and dissolution.
Distinctiveness leadeth to singleness. Singleness is opposed to communion. But because of man’s weakness over against the gods and daemons and their invincible law is communion needful. Therefore shall there be as much communion as is needful, not for man’s sake, but because of the gods. The gods force you to communion. As much as they force you, so much is communion needed, more is evil.
In communion let every man submit to others, that communion be maintained; for ye need it.
In singleness the one man shall be superior to the others, that every man may come to himself and avoid slavery.
In communion there shall be continence.
In singleness there shall be prodigality.
Communion is depth.
Singleness is height.
Right measure in communion purifieth and preserveth.
Right measure in singleness purifieth and increaseth.
Communion giveth us warmth, singleness giveth us light.
Feb 1, 2014
Dept of PMM Artists & things
Sermo VI
The daemon of sexuality approacheth our soul as a serpent. It is half human and appeareth as thought-desire.
The daemon of spirituality descendeth into our soul as the white bird. It is half human and appeareth as desire-thought.
The serpent is an earthy soul, half daemonic, a spirit, and akin to the spirits of the dead. Thus too, like these, she swarmeth around in the things of earth, making us either to fear them or pricking us with intemperate desires. The serpent hath a nature like unto woman. She seeketh ever the company of the dead who are held by the spell of the earth, they who found not the way beyond that leadeth to singleness. The serpent is a whore. She wantoneth with the devil and with evil spirits; a mischievous tyrant and tormentor, ever seducing to evilest company. The white bird is a half-celestial soul of man. He bideth with the Mother, from time to time descending. The bird hath a nature like unto man, and is effective thought. He is chaste and solitary, a messenger of the Mother. He flieth high above earth. He commandeth singleness. He bringeth knowledge from the distant ones who went before and are perfected. He beareth our word above to the Mother. She intercedeth, she warneth, but against the gods she hath no power. She is a vessel of the sun. The serpent goeth below and with her cunning she lameth the phallic daemon, or else goadeth him on. She yieldeth up the too crafty thoughts of the earthy one, those thoughts which creep through every hole and cleave to all things with desirousness. The serpent, doubtless, willeth it not, yet she must be of use to us. She fleeth our grasp, thus showing us the way, which with our human wits we could not find.
With disdainful glance the dead spake: Cease this talk of gods and daemons and souls. At bottom this hath long been known to us.
Feb 1, 2014
Dept of PMM Artists & things
Sermo VII
Yet when night was come the dead again approached with lamentable mien and said: There is yet one matter we forgot to mention. Teach us about man.
Man is a gateway, through which from the outer world of gods, daemons, and souls ye pass into the inner world; out of the greater into the smaller world. Small and transitory is man. Already is he behind you, and once again ye find yourselves in endless space, in the smaller or innermost infinity. At immeasurable distance standeth one single Star in the zenith.
This is the one god of this one man. This is his world, his pleroma, his divinity.
In this world is man Abraxas, the creator and the destroyer of his own world.
This Star is the god and the goal of man.
This is his one guiding god. In him goeth man to his rest. Toward him goeth the long journey of the soul after death. In him shineth forth as light all that man bringeth back from the greater world. To this one god man shall pray.
Prayer increaseth the light of the Star. It casteth a bridge over death. It prepareth life for the smaller world and assuageth the hopeless desires of the greater.
When the greater world waxeth cold, burneth the Star.
Between man and his one god there standeth nothing, so long as man can turn away his eyes from the flaming spectacle of Abraxas.
Whereupon the dead were silent and ascended like the smoke above the herdsman’s fire, who through the night kept watch over his flock.
ANAGRAMMA:
NAHTRIHECCUNDE
GAHINNEVERAHTUNIN
ZEHGESSURKLACH
ZUNNUS
Feb 1, 2014